Konstfacks bibliotek
 
Video works from 1999-2004 [DVD-video]
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  • TIMELINE Konstfacks videotek - Contemporary :
Personnamn
Titel och upphov
  • Video works from 1999-2004 [DVD-video]
Utgivning, distribution etc.
  • Arge Index , Wien : [2004]
Utgivningsår
  • 1999
  • Språk:
SAB klassifikationskod
Fysisk beskrivning
  • 1 DVD + 1 booklet (18 p.)
Anmärkning: Allmän
  • 1. Travelling / Plan 234 / Extérieur nuit (1999), 2:19 min. -- 2. ID remix (1999), 4:55 min. (with Elisabeth Fiegel). -- 3. Evidence (2000), 6:23 min. -- 4. A Memory of the players in a mirror at midnight (2001), 24:36 min. -- 5. X NaNa / Subroutine (2004), 30 min.
  • Constanze Ruhm´s computer animations and films range between architecture, narration and performance, and investigate interrelations between the languages of cinema and new media. By short-circuiting the blank spaces between distinct contemporary "scripts", they deal with issues of identity and representation in order to develop from there a new syntax for present-day forms of representation and media narratives.
Anmärkning: Språk
  • Brochure in English and German
Personnamn
Term
Elektronisk adress och åtkomst (URI)
  • http://www.constanzeruhm.net/portfolio/projects.phtml The artist's website
Antal i kö:
  • 0 (0)
 
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*007vd  v
*008110824m19992004au |:|||||||||||| ||    c
*0284 $aINDEX 009
*035  $a(Ko)40291
*084  $aIbh
*084  $aIbz Ruhm, Constanze
*1001 $aRuhm, Constanze,$d1965-
*24510$aVideo works from 1999-2004$h[DVD-video] /$cConstanze Ruhm
*260  $aWien  :$bArge Index ,$c[2004]
*300  $a1 DVD  +$e1 booklet (18 p.)
*500  $a1. Travelling / Plan 234 / Extérieur nuit (1999), 2:19 min. -- 2. ID remix (1999), 4:55 min. (with Elisabeth Fiegel). -- 3. Evidence (2000), 6:23 min. -- 4. A Memory of the players in a mirror at midnight (2001), 24:36 min. -- 5. X NaNa / Subroutine (2004), 30 min.
*500  $aConstanze Ruhm´s computer animations and films range between architecture, narration and performance, and investigate interrelations between the languages of cinema and new media. By short-circuiting the blank spaces between distinct contemporary "scripts", they deal with issues of identity and representation in order to develop from there a new syntax for present-day forms of representation and media narratives.

*546  $aBrochure in English and German
*60014$aRuhm, Constanze,$d1965-
*650 4$aVideokonst
*650 4$aVideo art
*8520 $hTIMELINE Konstfacks videotek -  Contemporary :
*8564 $uhttp://www.constanzeruhm.net/portfolio/projects.phtml$yThe artist's website
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