Hylla TIMELINE Konstfacks videotek - Historical :
Titel och upphov Shoot, shoot, shoot [DVD-video] : British avant-garde film of the 1960s and 1970s
Utgivning, distribution etc.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 1 DVD : 117 min + Booklet [48 p.]
Anmärkning: Allmän The 1960s and 1970s were a defining period for artists' film and video. As collective and informal groups flourished worldwide, personal filmmakers were challenging cinematic convention. In England, much of the innovation took place at the London Film-Makers' Co-operative, an artist-led organisation that incorporated a distribution agency, projection space and film workshop. Within this unique laboratory, filmmakers were able to control every aspect of the creative process, and the physical production of a film - the printing and processing - became vital to its form and content. Guy Sherwin: At the academy (1974; 5 min); Malcom Le Grice: Little dog for Roger (1967; 12 min); Mike Leggett: Shepherd's Bush (1971; 15 min); Peter Gidal: Hall (1968-69; 8 min); Stephen Dwoskin: Dirty (1965-67; 12 min); Jeff Keen: Marvo movie (1967, 5 min); William Raban: Broadwalk (1972; 12 min); Chris Welsby: FForest Bay II (1973; 5 min); Annabel Nicolson: Slides (1970; 11 min); David Crosswaite: Film no.1 (1971; 10 min); Lis Rhodes: Dresden dynamo (1971; 5 min); Marilyn Halford: Footsteps (1974; 6 min); John Smith: Leading light (1975; 10 min).
Term
Indexterm - Okontrollerad
Antal i kö:
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*24510$aShoot, shoot, shoot$h[DVD-video] :$bBritish avant-garde film of the 1960s and 1970s
*260 $a[London] :$bLUX ,$c2006
*300 $a1 DVD :$b117 min +$eBooklet [48 p.]
*500 $aThe 1960s and 1970s were a defining period for artists' film and video. As collective and informal groups flourished worldwide, personal filmmakers were challenging cinematic convention. In England, much of the innovation took place at the London Film-Makers' Co-operative, an artist-led organisation that incorporated a distribution agency, projection space and film workshop. Within this unique laboratory, filmmakers were able to control every aspect of the creative process, and the physical production of a film - the printing and processing - became vital to its form and content.
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