Konstfacks bibliotek

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*008110824m20002002sw |:|||||||||||| ||eng d
*035  $a(Ko)40067
*0410 $aeng$hger$hita
*084  $aIbh
*084  $aOcla
*084  $aOhd
*1001 $aRessler, Oliver,$d1970-
*24510$aDisobbedienti. This is what democracy looks like! Border Crossing Services. Rote Zora$h[VHS-video] /$cOliver Ressler
*260  $bOliver Ressler ,$c2000-2002
*300  $a1 VHS  :$b54 min; 38 min; 51 min; 28 min
*500  $a1. Disobbedienti by Oliver Ressler & Dario Azzellini, (54 min., ita/eng/ger), 2002. The video thematizes the Disobbedienti's origins, political bases, and forms of direct action on the basis of conversations with seven members of the movement. The Disobbedienti emerged from the Tute Bianche during the demonstrations against the G8 summit in Genoa in July 2001. The "Tute Bianche" were the white-clad Italian activists who used their bodies  - protected by foam rubber, tires, helmets, gas masks and home made shields - in direct acts and demonstrations as weapons of civil disobedience. (Ressler & Azzellini)
*500  $a2. This is what democracy looks like! by Oliver Ressler, (38 min., ger/eng), 2002. This records the first Austrian anti-global demonstrations on the occasion of the World Economic Forum on July 1, 2001 in Salzburg. The anti-capitalist demonstrators against the World Economic Forum (a private lobbying organization of major capital) in Salzburg were ferociously handled by the Austrian polics: 900 demonstrators were encircled and held captive by the police in the open space of the City of Salzburg for more than seven hours. The video consists of visual material from the demonstration, edited an spliced with additional reflections on the events in Salszburg given by six demonstrators.(Marina Grzinic)
*500  $a3. Border Crossing Services by Oliver Ressler & Martin Krenn, (51 min., ger/eng), 2001. Ressler and Krenn have created this propaganda project for the promotion of a progressive concept of migration, but above all, for the specific people and organizations which are dedicated to organizing border crossing - as a counterweight to the mainstream media's attempts to divert attention away from the intensified enclosure of Schengen Europe, and also as a counterweight against the shift of discourse from the problem of exclusive citizenship rights to the secondary theme of the individual fates of refugees and the complementary enemy images, and concretely, against the increasing hegemonic (language) politics of denouncing border crossing services as "trafficking" and "slavery". (Gerald Raunig)
*500  $a4. Rote Zora by Oliver Ressler, (28 min., ger/eng), 2000. This video offers an investigation of a militant group of women who made over twenty politically motivated attacks in the 80's and also perpetrated diverse ofther offences. The "Rote Zora" fought against atomic, genetic and reproduction technology which were understood as being part of the dominating ideology. The attack targets were companies like Bayer, Schering or Siemens, meaning the research institutes and the property of "representatives of the patriarchal order" (RZ 1983). The "Rote Zora" created a radical political opposition to the powers that be and counted on a "politics of vandalism". The video's central element is an interview with Corinna Kawaters in the summer of 2000. Kawaters is the only woman in the Rote Zora who was ever found guilty of being a "member of a terrorist organization" (§129a). (Sören Grammel).
*60014$aRessler, Oliver
*60014$aAzzellini, Dario
*60014$aKrenn, Martin
*650 4$aCivil olydnad
*650 4$aDemonstrationer
*650 4$aUtomparlamentariska metoder
*650 4$aMigration
*650 4$aVideokonst
*7001 $aAzzellini, Dario$4aut
*7001 $aKrenn, Martin$4aut
*730  $aBorder Crossing Services
*730  $aRote Zora
*7300 $aThis is what democracy looks like!
*8520 $hTIMELINE Konstfacks videotek -  Contemporary :
*8564 $uhttp://www.ressler.at/$yThe artist's website
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