Hylla TIMELINE Konstfacks videotek - Contemporary :
Personnamn
Titel och upphov Disaffection and disaffectation [DVD-video]
Utgivning, distribution etc. Tramway Arts Centre , Glasgow : 2004
Utgivningsår
Språk: Odefinierat språk.
Fysisk beskrivning
Anmärkning: Allmän Disaffection and disaffectation (2004, 50') Suffocating flowers, envious looks, ambiguous gestures, misappropriations of lines and roles, exchanges alternating between simmering hostility and saccharine adoration reveal the tempered indignities of Disaffection and Disaffectation. Using translucent strategies of exaggeration and uncontrolled disclosure, two actors volley the three roles between themselves, their contrived boudoir, and the camera. Alternately parading, fixating on, and glossing over the crude markers of its own self-conscious reconstruction, this particular re-working of Genet's often-revisited play, Les Bonnes - The Maids, unfolds and refolds back onto its own cluttered, claustrophobic staging. The layers of dramatization alternate between two women reenacting the roles and the play for each other, and two actors playing Les Bonnes for a director, trapped in Genet's familiar and lurid diversions Donation
Personnamn
Indexterm - Okontrollerad
Antal i kö:
*00001634ngm a2200229 45
*00135751
*00520141217152329.8
*007vd v
*008110824s2004 sw |:|||||||||||| ||und d
*035 $a(Ko)40034
*1001 $aDi Bianco, Anita
*24510$aDisaffection and disaffectation$h[DVD-video] /$ccamera and direction: Anita Di Bianco ; performed by: Hanneline Visnes and Lucy Skaer ; direction assistance: Francesco Gagliardi
*260 $aGlasgow :$bTramway Arts Centre ,$c2004
*300 $a1 DVD
*500 $aDisaffection and disaffectation (2004, 50')
*500 $aSuffocating flowers, envious looks, ambiguous gestures, misappropriations of lines and roles, exchanges alternating between simmering hostility and saccharine adoration reveal the tempered indignities of Disaffection and Disaffectation. Using translucent strategies of exaggeration and uncontrolled disclosure, two actors volley the three roles between themselves, their contrived boudoir, and the camera. Alternately parading, fixating on, and glossing over the crude markers of its own self-conscious reconstruction, this particular re-working of Genet's often-revisited play, Les Bonnes - The Maids, unfolds and refolds back onto its own cluttered, claustrophobic staging. The layers of dramatization alternate between two women reenacting the roles and the play for each other, and two actors playing Les Bonnes for a director, trapped in Genet's familiar and lurid diversions
*500 $aDonation
*60014$aDi Bianco, Anita ,$d1970-
*653 $aVideokonst
*8520 $hTIMELINE Konstfacks videotek - Contemporary :
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