Konstfacks bibliotek

   
Kusama's self-obliteration [VHS-video]
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  • TIMELINE Konstfacks videotek - Historical :
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Titel och upphov
  • Kusama's self-obliteration [VHS-video]
Utgivning, distribution etc.
  • Jus Yalkut , [S.l.] : 1996 (1967)
Utgivningsår
  • 1996 (1967)
  • Språk: Odefinierat språk.
Fysisk beskrivning
  • 1 VHS-kassett : 24 min
Anmärkning: Allmän
  • Jud Yalkut participated in seminal moments of underground film and video art. In 1965 he became a resident filmmaker for USCO, a countercultural collective. In the 1960's and 70's, he collaborated with Nam June Paik on a series of video-film pieces in which he used the medium of film to document performances, and, through editing and juxtaposition, to create conversations between film and video. Kusama's Self-Obliteration is a film exploration of the work and aesthetic concepts of Yayoi Kusama; painter, sculptor, and environmentalist. According to Yalkut, Kusama's Self-Obliteration was conceived and edited as "a portrait of the artist and her work of two decades, and a progressively involving and engrossing experience that could possibly project the viewer into the screen"
Personnamn
Antal i kö:
  • 0 (0)
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*007vf  b
*008110824s        sw |:|||||||||||| ||und d
*0284 $aCNC EDV 519$bRe-voir
*035  $a(Ko)39990
*1001 $aYalkut, Jud
*24510$aKusama's self-obliteration$h[VHS-video] /$cby Jud Yalkut ; with Yayoi Kusama
*260  $a[S.l.]  :$bJus Yalkut ,$c1996 (1967)
*300  $a1 VHS-kassett  :$b24 min
*500  $aJud Yalkut participated in seminal moments of underground film and video art. In 1965 he became a resident filmmaker for USCO, a countercultural collective. In the 1960's and 70's, he collaborated with Nam June Paik on a series of video-film pieces in which he used the medium of film to document performances, and, through editing and juxtaposition, to create conversations between film and video. Kusama's Self-Obliteration is a film exploration of the work and aesthetic concepts of Yayoi Kusama; painter, sculptor, and environmentalist. According to Yalkut, Kusama's Self-Obliteration was conceived and edited as "a portrait of the artist and her work of two decades, and a progressively involving and engrossing experience that could possibly project the viewer into the screen"
*60014$aKusama, Yayoi,$d1929-
*7001 $aYalkut, Jud,$d1938-$4aut
*8520 $hTIMELINE Konstfacks videotek -  Historical :
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