Konstfacks bibliotek

*00001628nam a22005057a 4500
*0013034
*00520140318030920.2
*008960522s1996    xxu           001 0 eng c
*020  $a0-262-06187-2 (hc : alk. paper) ;$cCIP entry
*020  $a0-262-56107-7 (pb : alk. paper)
*020  $a978-0-262-56107-5
*035  $a(SE-LIBR)4738471
*035  $a(Ko)3275
*040  $aG$dQ
*082  $a701$b.18$220
*082  $a701.18$222
*084  $aIb.55$2kssb/6
*084  $aIbh.55$2kssb/6
*084  $aIaa$2kssb/6
*084  $5Ko$aIb.55$2kssb/6
*084  $5Ko$aIbh.55$2kssb/6
*1001 $aFoster, Hal,$d1955-
*24504$aThe return of the real :$bthe Avant-garde at the end of the century /$cHal Foster
*260  $aCambridge, MA :$bMIT Press,$c1996
*300  $axix, 299 s. :$bill.
*4900 $aAn October book
*599  $ahum/sam
*650 0$aArt criticism
*650 0$aHistory
*650 0$a20th century
*650 0$aAvant-garde (Aesthetics)
*650 0$aArt, Modern
*650 7$aAvantgarde (estetik)$2sao
*650 7$aExperimentell konst$xhistoria$y1945-$2sao
*650 7$aKonstkritik$2sao
*841  $5Ko$axa a$b0201070u    0   4000uu   |000000$e1
*852  $5Ko$bKo$hKONST - Ib.55
*950  $aKritik$wg$uKonstkritik
*950  $aKonstkritiker$uKonstkritik
*950  $aAvantgardism$uAvantgarde (estetik)
*950  $aEstetik$wg$uAvantgarde (estetik)
*950  $aModernism (konst)$uAvantgarde (estetik)
*976 2$aIb.55$bKonst Konsthistoria Efterkrigstiden
*976 2$aIbh.55$bKonst Konsthistoria Otraditionella Konstformer Efterkrigstiden
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After the dominant models of art-as-text in the 1970s and are now witness to a return to the real - to art and theory that seek to be grounded in bodies and sites, identities and communities.