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Titel och upphov Artists' magazines : an alternative space for art
Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; 2011 : 2011
Utgivningsår
Fysisk beskrivning
Anmärkning: Allmän This is not to be looked at : Artforum in the 1960s and 1970s -- The magazine as a medium : Aspen, 1965-1971 -- Art on and off the page : 0 to 9, 1967-69 -- An artists' magazine : Avalanche, 1970-76 -- The magazine as an alternative space : Art-rite, 1973-1978 -- The magazine as mirror : File, 1972-1989 -- Real life, 1979-1994 -- Epilogue : International activity : Interfunktionen, 1968-1975.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll This is not to be looked at : Artforum in the 1960s and 1970s -- . The magazine as a medium : Aspen, 1965-1971 -- . Art on and off the page : 0 to 9, 1967-69 -- . An artists' magazine : Avalanche, 1970-76 -- . The magazine as an alternative space : Art-rite, 1973-1978 -- . The magazine as mirror : File, 1972-1989 -- . Real life, 1979-1994 -- . Epilogue : International activity : Interfunktionen, 1968-1975.
Term
ISBN 978-0-262-01519-6 (hardcover : alk. paper) 978-0-262-01519-6
Antal i kö:
*00001819nam a22003617a 4500
*00129769
*007|||||||||||||||||||||||
*008110824s2011 mau | 001 0 eng c
*020 $a978-0-262-01519-6 (hardcover : alk. paper)
*020 $a978-0-262-01519-6
*035 $a(Ko)34046
*040 $dDLC$dDLC$dQ
*1001 $aAllen, Gwen,$d1971-
*24510$aArtists' magazines :$ban alternative space for art /$cGwen Allen
*260 $aCambridge, Mass. ;$a2011 :$bMIT Press ,$c2011
*300 $aviii, 368 p. :$c26 cm.
*500 $aThis is not to be looked at : Artforum in the 1960s and 1970s -- The magazine as a medium : Aspen, 1965-1971 -- Art on and off the page : 0 to 9, 1967-69 -- An artists' magazine : Avalanche, 1970-76 -- The magazine as an alternative space : Art-rite, 1973-1978 -- The magazine as mirror : File, 1972-1989 -- Real life, 1979-1994 -- Epilogue : International activity : Interfunktionen, 1968-1975.
*504 $aIncludes bibliographical references and index.
*505 $tThis is not to be looked at : Artforum in the 1960s and 1970s -- .$tThe magazine as a medium : Aspen, 1965-1971 -- .$tArt on and off the page : 0 to 9, 1967-69 -- .$tAn artists' magazine : Avalanche, 1970-76 -- .$tThe magazine as an alternative space : Art-rite, 1973-1978 -- .$tThe magazine as mirror : File, 1972-1989 -- .$tReal life, 1979-1994 -- .$tEpilogue : International activity : Interfunktionen, 1968-1975.
*650 4$aModern konst
*650 4$aperiodika
*650 4$aModern konst
*650 4$aHistoriografi
*650 4$aArt, Modern
*650 4$aPeriodicals .
*650 4$a20th century
*650 4$aArt, Modern
*650 4$aHistoriography.
*650 4$a20th century
*8520 $hKONST - Ib.55
^
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During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines , Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Among the magazines Allen examines are Aspen (1965--1971), a multimedia magazine in a box -- issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum , and they created work that defied the formalist orthodoxy of the day. Artists' Magazines , featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.