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Copy, archive, signature : a conversation on photography
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  • Copy, archive, signature : a conversation on photography
Uniform titel
  • Photographie als Kopie, Archiv und Signatur. . English
Utgivning, distribution etc.
  • Stanford University Press , Stanford, Calif. ; 2010 : 2010
Utgivningsår
  • 2010
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • xxxviii, 67 s. : 18 cm
Anmärkning: Allmän
  • "Originally published in German in 2000 under the title 'Die Photographie als Kopie, Archiv und Signatur: Im Gespräch mit Hubertus von Amelunxen und Michael Wetzel,' in Theorie der Fotografie IV, 1980-1995."--T.p. verso.
  • Translation of an interview that Derrida granted to Hubertus von Amelunxen and Michael Wetzel.
Personnamn
Term
ISBN
  • 978-0-8047-6097-3
  • 0-8047-6097-7 (hft.)
  • 0-8047-6097-7
  • 978-0-8047-6096-6 (inb.)
  • 978-0-8047-6096-6
  • 0-8047-6096-9 (inb.)
  • 0-8047-6096-9
  • 978-0-8047-6097-3 (hft.)
Antal i kö:
  • 0 (0)
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*2401 $aPhotographie als Kopie, Archiv und Signatur. .$lEnglish
*24510$aCopy, archive, signature :$ba conversation on photography  /$cJacques Derrida ; edited with an introduction by Gerhard Richter ; translated by Jeff Fort
*260  $aStanford, Calif. ;$a2010 :$bStanford University Press ,$c2010
*300  $axxxviii, 67 s.  :$c18 cm
*500  $a"Originally published in German in 2000 under the title 'Die Photographie als Kopie, Archiv und Signatur: Im Gespräch mit Hubertus von Amelunxen und Michael Wetzel,' in Theorie der Fotografie IV, 1980-1995."--T.p. verso.
*500  $aTranslation of an interview that Derrida granted to Hubertus von Amelunxen and Michael Wetzel.
*60014$aDerrida, Jacques,$d1930-2004
*60014$aintervjuer
*60014
*60014$aInterviews.
*650 4$aPhotography
*650 4$aPhilosophy.
*650 4$aFotokonst
*650 4$ateori, filosofi
*697  $cKonst, musik, teater och film
*7001 $aAmelunxen, Hubertus von$4aut
*7001 $aWetzel, Michael ,$d1952-$4aut
*7001 $aRichter, Gerhard,$d1932-$4edt
*7001 $aFort, Jeff ,$d1966-$4trl
*8520 $hFOTOGRAFI -  In
^
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This book makes available for the first time in English--and for the first time in its entirety in any language--an important yet little-known interview on the topic of photography that Jacques Derrida granted in 1992 to the German theorist of photography Hubertus von Amelunxen and the German literary and media theorist Michael Wetzel. Their conversation addresses, among other things, questions of presence and its manufacture, the technicity of presentation, the volatility of the authorial subject, and the concept of memory. Derrida offers a penetrating intervention with regard to the distinctive nature of photography vis-à-vis related technologies such as cinema, television, and video. Questioning the all-too-facile divides between so-called old and new media, original and reproduction, analog and digital modes of recording and presenting, he provides stimulating insights into the ways in which we think and speak about the photographic image today. Along the way, the discussion fruitfully interrogates the question of photography in relation to such key concepts as copy, archive, and signature. Gerhard Richter introduces the volume with a critical meditation on the relationship between deconstruction and photography by way of the concepts of translation and invention. Copy, Archive, Signature will be of compelling interest to readers in the fields of contemporary European critical thought, photography, aesthetic theory, media studies, and French Studies, as well as those following the singular intellectual trajectory of one the most influential thinkers of our time.

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