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Titel och upphov Fred Wilson : a critical reader
Utgivning, distribution etc. Ridinghouse distributed in the US by RAM Publications , London ; Santa Monica, Calif. : 2011.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 507 p. : ill. (chiefly col.) : 22 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Lowery Stokes Sims -- . Alan Prokop -- . Simon Dumenco -- . Michael Kimmelman -- . Lisa G. Corrin -- . Ira Berlin -- . Judith Barry, Renée Green, Fred Wilson, Christian Philipp Müller, Andrea Fraser -- . Fred Wilson -- . Rachel Kent -- . Edited by Rachel Kent -- . Maurice Berger -- . Jennifer A. González -- . Maurice Berger and Fred Wilson -- . Salah Hassan -- . Paul H.D. Kaplan -- . Peter Erickson -- . Javier Pes -- . Barbara Thompson -- . Mary K. Coffey -- . Richard Klein and Fred Wilson -- . Huey Copeland -- . Fred Wilson and K. Anthony Appiah -- . Huey Copeland -- . Mark Graham -- . Jennifer A. González -- . Walter Mignolo. . Fred Wilson : musings on the mining of museums . Power and spirit . Lost and found : artist Fred Wilson pulls apart Maryland's hidden history . An improbable marriage of artist and museum . Mining the museum : artists look at museums, museums look at themselves . Mining the museum and the rethinking of Maryland's history . Serving institutions . Inside the studio . Subtle and subversive : Fred Wilson's museum interventions . Fred Wilson in discussion with Dr. Gaye Sculthorpe and Tom Mosby . Viewing the invisible : Fred Wilson's allegories of absence and loss . Against the grain : the artist as conceptual materialist . Collaboration, museums and the politics of display : a conversation with Fred Wilson . Fred Wilson's Black venezia : fictitious histories and the notion of "truth" . Interview : Kathleen Goncharov and Fred Wilson -- . Local color : the black African presence in Venetian art and history . Respeaking Othello in Fred Wilson's Speak of me as I am . Brave new world . Making So much trouble in the world . Of bodies and embodiment : Fred Wilson's So much trouble in the world-believe it or not! . Psst! A conversation with Fred Wilson . Out of the well . Fragments of a conversation . After the voyage : an interview with Fred Wilson . An interview with the artist Fred Wilson . Fred Wilson : material museology . Museums in the colonial horizon of modernity : Fred Wilson's Mining the museum (1992)
Personnamn
Term
ISBN 978-1-905464-36-4 978-1-905464-36-4 1-905464-36-3 1-905464-36-3
Antal i kö:
*00003452nam a22004697a 4500
*00129618
*007|||||||||||||||||||||||
*008110824s2011 enka | b 001 0 eng c
*020 $a978-1-905464-36-4
*020 $a978-1-905464-36-4
*020 $a1-905464-36-3
*020 $a1-905464-36-3
*035 $a(Ko)33869
*084 $aIbz Wilson, Fred
*1001 $aWilson, Fred
*24510$aFred Wilson :$ba critical reader /$cedited by Doro Globus.
*260 $aLondon ;$aSanta Monica, Calif. :$bRidinghouse$bdistributed in the US by RAM Publications ,$c2011.
*300 $a507 p. :$bill. (chiefly col.) :$c22 cm.
*504 $aIncludes bibliographical references and index.
*505 $tLowery Stokes Sims -- .$tAlan Prokop -- .$tSimon Dumenco -- .$tMichael Kimmelman -- .$tLisa G. Corrin -- .$tIra Berlin -- .$tJudith Barry, Renée Green, Fred Wilson, Christian Philipp Müller, Andrea Fraser -- .$tFred Wilson -- .$tRachel Kent -- .$tEdited by Rachel Kent -- .$tMaurice Berger -- .$tJennifer A. González -- .$tMaurice Berger and Fred Wilson -- .$tSalah Hassan -- .$tPaul H.D. Kaplan -- .$tPeter Erickson -- .$tJavier Pes -- .$tBarbara Thompson -- .$tMary K. Coffey -- .$tRichard Klein and Fred Wilson -- .$tHuey Copeland -- .$tFred Wilson and K. Anthony Appiah -- .$tHuey Copeland -- .$tMark Graham -- .$tJennifer A. González -- .$tWalter Mignolo. .$tFred Wilson : musings on the mining of museums .$tPower and spirit .$tLost and found : artist Fred Wilson pulls apart Maryland's hidden history .$tAn improbable marriage of artist and museum .$tMining the museum : artists look at museums, museums look at themselves .$tMining the museum and the rethinking of Maryland's history .$tServing institutions .$tInside the studio .$tSubtle and subversive : Fred Wilson's museum interventions .$tFred Wilson in discussion with Dr. Gaye Sculthorpe and Tom Mosby .$tViewing the invisible : Fred Wilson's allegories of absence and loss .$tAgainst the grain : the artist as conceptual materialist .$tCollaboration, museums and the politics of display : a conversation with Fred Wilson .$tFred Wilson's Black venezia : fictitious histories and the notion of "truth" .$tInterview : Kathleen Goncharov and Fred Wilson -- .$tLocal color : the black African presence in Venetian art and history .$tRespeaking Othello in Fred Wilson's Speak of me as I am .$tBrave new world .$tMaking So much trouble in the world .$tOf bodies and embodiment : Fred Wilson's So much trouble in the world-believe it or not! .$tPsst! A conversation with Fred Wilson .$tOut of the well .$tFragments of a conversation .$tAfter the voyage : an interview with Fred Wilson .$tAn interview with the artist Fred Wilson .$tFred Wilson : material museology .$tMuseums in the colonial horizon of modernity : Fred Wilson's Mining the museum (1992)
*60014$aWilson, Fred ,$d1954-
*60014$aExhibitions.
*60014$aInterviews.
*650 4$aKonstnärer
*650 4$a1950-
*650 4$aFörenta staterna
*650 4$aMuseums
*650 4$aPhilosophy.
*650 4$aArtists and museums.
*7001 $aGlobus, Doro$4edt
*8520 $hKONST - Ibz Wilson, Fred
^
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An anthology of critical texts about and interviews by with the American artist Fred Wilson, this publication focuses on the artist's pivotal exhibitions and projects, and includes a wide range of significant texts that mark the critical reception of Wilson's work over the last two decades. Brought together for the first time here, these reviews, interviews and essays are from sources that are largely out of print, and will be accompanied by archival material such as invitation cards, installation shots and book covers.Concentrating on some of the most significant moments of Wilson's career, the book will also include extracts from exhibition catalogues such as Mining the Museum (1992) and Speak of Me as I am (2003) - Wilson's installation in the American Pavilion at the 50th Venice Biennale exhibition.