Hylla KONST - Ibz Piper, Adrian
Personnamn
Titel och upphov Out of order, out of sight . Selected writing s in meta-art , 1968-1992 / Vol. 1 :
Varianttitel Selected writing s in meta-art , 1968-1992
Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; London ; 1999 : 1999
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Bibliography. Includes index.
Personnamn
Term
Uniform titel Selected writing s in meta-art , 1968-1992
ISBN 0-262-66152-7 0-262-66152-7 978-0-262-66152-2 978-0-262-66152-2
Antal i kö:
*00001432nam a22005057a 4500
*00129529
*007|||||||||||||||||||||||
*008110824s1999 xxua | 001 0 eng d
*020 $a0-262-66152-7
*020 $a0-262-66152-7
*020 $a978-0-262-66152-2
*020 $a978-0-262-66152-2
*035 $a(Ko)33778
*040 $dAUD$dAUD
*084 $aIa
*084 $aIbz Piper, Adrian
*1001 $aPiper, Adrian,$d1948-
*24510$aOut of order, out of sight .$nVol. 1 :$bSelected writing s in meta-art , 1968-1992 /$cAdrian Piper
*24611$aSelected writing s in meta-art , 1968-1992
*260 $aCambridge, Mass. ;$aLondon ;$a1999 :$bMIT Press ,$c1999
*300 $axxx, 371p :$bill.
*504 $aBibliography.
*504 $aIncludes index.
*60014$aPiper, Adrian,$d1948-
*650 4$aWomen art ists
*650 4$aBiography.
*650 4$aUnited States
*650 4$aArt ists
*650 4$aBiography.
*650 4$aUnited States
*650 4$aArt
*650 4$aPhilosophy.
*650 4$aArt criticism
*650 4$aUnited States.
*650 4$aKonst
*650 4$ateori, filosofi
*650 $aArt ists' writing s
*697 $cKonst: allmänt
*697 $cSärskilda konstnärer
*7300 $aSelected writing s in meta-art , 1968-1992
*8520 $hKONST - Ibz Piper, Adrian
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Adrian Piper joins the ranks of writer-artists who have provided much of the basic and most reliable literature on modern and contemporary art. Out of Order, Out of Sight is an artistic and intellectual autobiography and an (occasionally scathing) commentary on mainstream art, art criticism, and American culture of the last twenty-five years. Piper is an internationally recognized conceptual artist and the only African American in the early conceptual art movement of the 1960s. The writings in Out of Order, Out of Sight trace the development of her thinking about her artwork and the art world, and her evolving awareness of herself as a creative, racial, and gendered subject situated in an often limiting and always absurd cultural and social context.