Konstfacks bibliotek

*00003086nam a22008297a 4500
*00129466
*007|||||||||||||||||||||||
*008110824s2010    sz a   | b    000 0 eng c
*020  $a978-3-905770-96-4
*020  $a978-3-905770-96-4
*020  $a3-905770-96-2
*020  $a3-905770-96-2
*035  $a(Ko)33709
*040  $dNOC$dNOC$dBTCTA$dYDXCP$dERASA$dOHX$dNLGGC$dKo
*084  $a10.10
*084  $aIa
*084  $aIbvz Humor
*084  $aIb.5
*24510$aBlack sphinx :$bon the comedic in modern art  /$c[edited by John C. Welchman]
*260  $aZurich ;$a2010 :$bJRP Ringier ,$c2010
*300  $a280 p.  :$bill.  :$c25 cm.
*4900 $aSoCCAS symposia  ;$vv. 4.
*504  $aIncludes bibliographical references.
*505  $tHumour (1927) / Sigmund Freud -- Resonances of "raillery" / Jeffrey Minson -- Irreverent, illicit, incoherent : Belle Epoch comedy / Janet Whitmore -- Concrete comedy / David Robbins -- Bataille's laughter / Louis Kaplan -- Whoever wants to understand is invited to play / Jo Anna Issak -- Laughing at foreigners : a peculiar defense of ethnic humor / Simon Critchley -- Retreat to the private sphere : in-jokes in West German art of the 1980s / Gregory H. Williams -- Your confession booth is my soap box : on Skip Arnold / Jan Tumlir -- V-notes on parody / Jessica Chalmers --The nut doesn't fall far from the tree : a piece of work in progress / Michael Smith -- "Don't play it for laughs" : John Baldessar and conceptual comedy / John C. Welchman.
*650 4$aComic, The, in art.
*650 4$aWit and humor in art.
*650 4$aArt, Modern
*650 4$aThemes, motives.
*650 4$a20th century
*650 4$aKunst
*650 4$aHumor (grappigheden)
*650 4$aHet komische
*650 4$aHumor i konsten
*650 4$aKonst
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aWit and humor in art
*650 4$aArt, Modern
*650 4$aHistory
*650 4$a20th century
*697  $cKonst: allmänt
*697  $cSärskilda motiv i konsten
*697  $cKonsthistoria: 1905-
*7001 $aWelchman, John C.$4aut
*830 0$aSouthern California Consortium of Art Schools symposia (series)  ;$vv. 4.
*8520 $hKONST -  Ibvz Humor
*950  $aArt deco
*950  $aKonst$xhistoria
*950  $a1900-talet
*950  $aKonstruktivism (konst)
*950  $aKonst$xhistoria
*950  $a1900-talet
*950  $aMinimalism
*950  $aKonst$xhistoria
*950  $a1900-talet
*950  $aModernism (konst)
*950  $aKonst$xhistoria
*950  $a1900-talet
*950  $aNationalromantik (konst)
*950  $aKonst$xhistoria
*950  $a1900-talet
*950  $aOrfism (konstnärlig riktning)
*950  $aKonst$xhistoria
*950  $a1900-talet
*950  $aPostimpressionism
*950  $aKonst$xhistoria
*950  $a1900-talet
^

In this book philosopher Simon Critchley and art historian Janet Whitmore discuss the modern origins of comedic genres and some of the key theoretical articulations of laughter and wit, by Freud, Bergson and others. Furthermore they explore the special zone of outlandish humour demarcated by the cabarets, café concerts and ephemeral publications of Montmartre in the 1880s and 1890s. John C. Welchman focuses on John Baldessari, while performer, playwright and former V-Girl, Jessica Chalmers, and writer and curator, Jo Anna Isaak, discuss the relation between comedy and gender. David Robbins reports on his decade long investigation into the comedy in objects, and video, performance, and installation artist Michael Smith reflects on his hilariously awkward and regressive journeys with alter persona 'Mike'. Black Sphinx is based on the fourth SoCCAS symposia, held at the Hammer Museum. The anthology includes 12 essays about the comedic in art.