Hylla GRAFISK DESIGN - Ifqz Johannesson, Sture
Personnamn
Titel och upphov
Utgivning, distribution etc. Lukas & Sternberg NIFCA , New York ; Helsinki ; 2002 : 2002
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 100 s. : ill. (vissa i färg)
Term
ISBN 0-9711193-5-X 0-9711193-5-X
Antal i kö:
*00001394nam a22004337a 4500
*00129332
*007|||||||||||||||||||||||
*008110824s2002 xxu||||| |00| ||eng c
*020 $a0-9711193-5-X
*020 $a0-9711193-5-X
*035 $a(Ko)33568
*040 $dG
*084 $aIbz Johannesson, Sture
*1001 $aJohannesson, Sture,$d1935-
*24510$aSture Johannesson /$c[art works by Sture Johannessen ; texts & editing by Lars Bang Larsen & Sture Johannesson ; managing editor: Cristina Ricupero]
*260 $aNew York ;$aHelsinki ;$a2002 :$bLukas & Sternberg$bNIFCA ,$c2002
*300 $a100 s. :$bill. (vissa i färg)
*650 4$aExperimentell konst
*650 4$aPsykedelisk konst
*650 4$aPsychedelic art
*650 4$aarts
*650 4$aExperimental methods
*697 $cSärskilda konstnärer
*7001 $aBang Larsen, Lars$4oth
*7001 $aRicupero, Cristina$4edt
*8520 $hGRAFISK DESIGN - Ifqz Johannesson, Sture
*900 $aLarsen, Lars Bang
*950 $aModern konst
*950 $aPsykedelisk konst
*950 $aModernism (konst)
*950 $aExperimentell konst
*950 $aKonstestetik
*950 $aExperimentell konst
*950 $aAvantgardekonst
*950 $aExperimentell konst
*950 $aAvantgarde
*950 $aExperimentell konst$xkonsthistoria
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"When the legend becomes a fact, print the legend"
In the sixties, Sture Johannesson's psychedelic posters upset both the Swedish authorities and the "serious" left wing with their delirious drug politics. His pioneering body of work developed throughout the seventies and eighties, capturing the zeitgeist of three decades. More importantly, Johannesson's posters, happenings, and experiments with new media - electronic as well as narcotic-demonstrated that the way authority programs society is more hallucinatory than any drug could ever be.
This book, part psychedelic philosophy, part biography, is the first to present Sture Johannesson's work in depth, documenting his affiliations with the "high" underground and the punk movement, his activism and his radical exploration of the relationships between art, politics, technology, and human consciousness.
Co-published with NIFCA, Nordic Institute for Contemporary Art
Contributors