Location
Title Statement Architecture on display : on the history of the Venice Biennalle of Architecture
Publication, Distribution, etc. (Imprint) Architectural Association , London ; 2010 : c2010
SAB Classification Code
Physical Description
General Note
Subject - Meeting Name Biennale di Venezia. Settore architettura History International Architectural Exhibition History
Subject - Topical Term
Subject - Geographic Name
Added Entry - Corporate Name
ISBN 978-1-902902-96-8 (pbk.) 978-1-902902-96-8 1-902902-96-3 (pbk.) 1-902902-96-3
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*020 $a978-1-902902-96-8 (pbk.)
*020 $a978-1-902902-96-8
*020 $a1-902902-96-3 (pbk.)
*020 $a1-902902-96-3
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*084 $aIc
*084 $aIit-iz Venedig : Biennale Architettura
*24510$aArchitecture on display :$bon the history of the Venice Biennalle of Architecture /$c[Aaron Levy and William Menking ; in conversation with Vittorio Gregotti ... ; preface by Brett Steele ; introduction by Aaron Levy]
*260 $aLondon ;$a2010 :$bArchitectural Association ,$cc2010
*300 $a206 p. :$c18 cm.
*500 $aAuthors from cover
*61124$aBiennale di Venezia.$gSettore architettura
*61124$aHistory
*61124$aInternational Architectural Exhibition
*61124$aHistory
*650 4$aArchitecture
*650 4$aExhibitions
*650 4$aHistory
*650 4$aArkitektur
*650 4$autställningar
*651 0$aVenice (Italy)$xExhibitions$xHistory
*697 $cArkitektur
*697 $cKonstutställningar: Italien: särskilda utställningar
*7001 $aLevy, Aaron$4aui
*7001 $aMenking, William$4ivr
*7001 $aGregotti, Vittorio$4ive
*7001 $aSteele, Brett$4aui
*7101 $aArchitectural Association (Great Britain)
*8520 $hKONST - Iit
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Architecture on Display is a research initiative by Aaron Levy and William Menking that consists of interviews with each of the living directors of the Venice Biennale for Architecture, including Vittorio Gregotti, Paolo Portoghesi, Francesco Dal Co, Kurt Forster, Massimiliano Fuksas, Hans Hollein, Richard Burdett, Deyan Sudjic, Aaron Betsky and Kazuyo Sejima, as well as the current president of the Venice Biennale, Paolo Barrata. These conversations do not seek to recapitulate the exhibitions themselves but rather explore the questions that the exhibitions have raised, with the hope of offering a model for future curatorial endeavours.