Location
Title Statement The 'do-it-yourself' artwork : participation from Fluxus to new media
Publication, Distribution, etc. (Imprint) Distributed in the United States by Palgrave Macmillan Manchester University Press , Manchester, UK ; New York ; 2010 : 2010
SAB Classification Code
Physical Description xiii, 312 p. : ill. : 24 cm.
Series Statement
Series Added Entry - Uniform Title
General Note An introduction to the "do-it-yourself" artwork / Anna Dezeuze -- Three pioneers / Guy Brett -- "Open work", "do-it-yourself" artwork and bricolage / Anna Dezeuze -- "Creative acts of consumption" or, death in Venice / Judith Rodenbeck -- Instability : the visual/bodily perception of space in kinetic environments / Arnauld Pierre -- The rules of engagement : displaced figuration in Robert Morris's mise-en-scène / Catherine Wood -- Marina Abramovic? : approaching zero / Frazer Ward -- Space, body and the self in the work of Bruce Nauman / Amelia Jones -- Rirkrit Tiravanija's libalilty / Janet Kraynak -- The face and the public : race, secrecy and digital art practice / Jennifer González -- Play, ritual and politics : transitional artworks in the 1960s / Anna Dezeuze -- Exchange rate : on obligation and reciprocity in some art of the 1960s and after / Miwon Kwon -- Working on the community : models of participatory practice / Christian Kravagna -- Antagonism and relational aesthetics / Claire Bishop -- What kind of participative system : critical vocabularies from new media art / Beryl Graham
Bibliography, etc. Note Includes bibliographical references and index.
Formatted Contents Note Anna Dezeuze -- . Guy Brett -- . Anna Dezeuze -- . Judith Rodenbeck -- . Arnauld Pierre -- . Catherine Wood -- . Frazer Ward -- . Amelia Jones -- . Janet Kraynak -- . Jennifer González -- . Anna Dezeuze -- . Miwon Kwon -- . Christian Kravagna -- . Claire Bishop -- . Beryl Graham. . An introduction to the "do-it-yourself" artwork . Three pioneers . "Open work", "do-it-yourself" artwork and bricolage . "Creative acts of consumption" or, death in Venice . Instability . the visual/bodily perception of space in kinetic environments . The rules of engagement . displaced figuration in Robert Morris's mise-en-scène . Marina Abramovi? . approaching zero . Space, body and the self in the work of Bruce Nauman . Rirkrit Tiravanija's libalilty . The face and the public . race, secrecy and digital art practice . Play, ritual and politics . transitional artworks in the 1960s . Exchange rate . on obligation and reciprocity in some art of the 1960s and after . Working on the community . models of participatory practice . Antagonism and relational aesthetics . What kind of participative system . critical vocabularies from new media art
Subject - Topical Term
Index Term - Uncontrolled
ISBN 978-0-7190-8144-6 (hbk.) 978-0-7190-8144-6 0-7190-8144-0 (hbk.) 0-7190-8144-0
Waiting
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*24515$aThe 'do-it-yourself' artwork :$bparticipation from Fluxus to new media /$cedited by Anna Dezeuze
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*300 $axiii, 312 p. :$bill. :$c24 cm.
*4900 $aRethinking art's histories
*500 $aAn introduction to the "do-it-yourself" artwork / Anna Dezeuze -- Three pioneers / Guy Brett -- "Open work", "do-it-yourself" artwork and bricolage / Anna Dezeuze -- "Creative acts of consumption" or, death in Venice / Judith Rodenbeck -- Instability : the visual/bodily perception of space in kinetic environments / Arnauld Pierre -- The rules of engagement : displaced figuration in Robert Morris's mise-en-scène / Catherine Wood -- Marina Abramovic? : approaching zero / Frazer Ward -- Space, body and the self in the work of Bruce Nauman / Amelia Jones -- Rirkrit Tiravanija's libalilty / Janet Kraynak -- The face and the public : race, secrecy and digital art practice / Jennifer González -- Play, ritual and politics : transitional artworks in the 1960s / Anna Dezeuze -- Exchange rate : on obligation and reciprocity in some art of the 1960s and after / Miwon Kwon -- Working on the community : models of participatory practice / Christian Kravagna -- Antagonism and relational aesthetics / Claire Bishop -- What kind of participative system : critical vocabularies from new media art / Beryl Graham
*504 $aIncludes bibliographical references and index.
*505 $tAnna Dezeuze -- .$tGuy Brett -- .$tAnna Dezeuze -- .$tJudith Rodenbeck -- .$tArnauld Pierre -- .$tCatherine Wood -- .$tFrazer Ward -- .$tAmelia Jones -- .$tJanet Kraynak -- .$tJennifer González -- .$tAnna Dezeuze -- .$tMiwon Kwon -- .$tChristian Kravagna -- .$tClaire Bishop -- .$tBeryl Graham. .$tAn introduction to the "do-it-yourself" artwork .$tThree pioneers .$t"Open work", "do-it-yourself" artwork and bricolage .$t"Creative acts of consumption" or, death in Venice .$tInstability .$tthe visual/bodily perception of space in kinetic environments .$tThe rules of engagement .$tdisplaced figuration in Robert Morris's mise-en-scène .$tMarina Abramovi? .$tapproaching zero .$tSpace, body and the self in the work of Bruce Nauman .$tRirkrit Tiravanija's libalilty .$tThe face and the public .$trace, secrecy and digital art practice .$tPlay, ritual and politics .$ttransitional artworks in the 1960s .$tExchange rate .$ton obligation and reciprocity in some art of the 1960s and after .$tWorking on the community .$tmodels of participatory practice .$tAntagonism and relational aesthetics .$tWhat kind of participative system .$tcritical vocabularies from new media art
*650 4$aInteractive art.
*653 $aInteraktiv konst
*653 $aRelationell estetik
*697 $cKonsthistoria: 1945-
*7001 $aDezeuze, Anna$4edt
*830 0$aRethinking art's histories.
*8520 $hKONST - Ib.55
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Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.'
List of figures p. vii Performing participation The rules of engagement: displaced figuration in Robert Morris's mise-en-scène p. 115 Marina Abramovic: approaching zero p. 132 Space, body and the self in the work of Bruce Nauman p. 145 Rirkrit Tiravanija's liability p. 165 The face and the public: race, secrecy and digital art practice p. 185 Theorising participation Play, ritual and politics: transitional artworks in the 1960s p. 209 Exchange rate: on obligation and reciprocity in some art of the 1960s and after p. 229 Working on the community: models of participatory practice p. 240 List of contributors p. x Antagonism and relational aesthetics p. 257 What kind of participative system? Critical vocabularies from new media art p. 281 Index p. 306 Acknowledgements p. xiv An introduction to the 'do-it-yourself' artwork p. 1 Situating participation Three pioneers p. 25 'Open work', 'do-it-yourself' artwork and bricolage p. 47 'Creative acts of consumption' or, death in Venice p. 69 Instability: the visual/bodily perception of space in kinetic environments p. 91