Location KONST - Ibz Kabakov, Ilya
Main Entry - Personal Name
Title Statement Ilya/Emilia Kabakov : where is our place?
Varying Form of Title Where is our place? Ilya & Emilia Half title: Ilya and Emilia
Publication, Distribution, etc. (Imprint) Charta , Milano ; 2003 : 2003.
SAB Classification Code
Physical Description 96 p. : chiefly col. ill. : 17 x 24 cm.
General Note Catalog of an exhibition held, Fondazione Querini Stampalia, Venezia, June 12-Sept. 7, 2003.
Bibliography, etc. Note Includes bibliographical references.
Additional Physical Form available Note
Language Note Texts in Italian and English.
Subject - Personal Name
Subject - Topical Term
Added Entry - Corporate Name
Additional Physical Form Entry Online version ; Kabakov, Il´ia Iosifovich, 1933- ; Milano : Charta, 2003 ; (OCoLC)607060286 Ilya/Emilia Kabakov.
ISBN 88-8158-448-4 88-8158-448-4 978-88-8158-448-2 978-88-8158-448-2
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*2461 $aIlya and Emilia
*260 $aMilano ;$a2003 :$bCharta ,$c2003.
*300 $a96 p. :$bchiefly col. ill. :$c17 x 24 cm.
*500 $aCatalog of an exhibition held, Fondazione Querini Stampalia, Venezia, June 12-Sept. 7, 2003.
*504 $aIncludes bibliographical references.
*530 $aAlso issued online.
*546 $aTexts in Italian and English.
*60014$aKabakov, Ilya, $d1933-
*60014$autställningskataloger
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*60014$aKabakov, Emilia,$d1945-
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*650 4$aInstallations (Art)
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*7101 $aFondazione scientifica Querini Stampalia.
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*7761 $tIlya/Emilia Kabakov.
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*900 $aKabakov, Ilya
*900 $a1933-
*900 $a1933-
*900 $aKabakow, Ilja
*900 $a1933-
*900 $a1933-
*900 $aKabakov, Il'ia Iosifovich
*900 $a1933-
*900 $a1933-
*900 $aKabakov, Ilya Iossifovich
*900 $a1933-
*900 $a1933-
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Who is the greatest? Who today can define himself as the greatest? Ilya Kabakov, father of Russian Conceptualism, and his wife Emilia, ask these very questions in "Where is Our Place?" A project about the paradoxical contrast between contemporary and past art, this book meditates on the inner workings of the art system and artistic experience, identifying the importance of and need for a new critical and ethical awareness in our reception of art. Here different eras exist simultaneously in an incongruous art museum outside of time: contemporary, past, and perhaps also an imaginary projection into the future.