Konstfacks bibliotek

Walls are talking : wallpaper, art and culture
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Titel och upphov
  • Walls are talking : wallpaper, art and culture
Utgivning, distribution etc.
  • University of Manchester, Whitworth Art Gallery KWS Publishers , Manchester ; Chicago ; 2010 : [2010]
Utgivningsår
  • 2010
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 128 p. : ill. (chiefly col.) : 29 cm.
Anmärkning: Allmän
  • "Published to coincide with the exhibition Walls are talking: wallpaper, art and culture, 5 February-3 May 2010, The Whitworth Art Gallery, The University of Manchester"--P. facing t.p.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Term
Institutionsnamn
ISBN
  • 978-0-903261-65-4
  • 0-903261-65-0 (The Whitworth)
  • 0-903261-65-0
  • 978-0-9842260-0-9 (KWS)
  • 978-0-9842260-0-9
  • 0-9842260-0-1 (KWS)
  • 0-9842260-0-1
  • 978-0-903261-65-4 (The Whitworth)
Antal i kö:
  • 0 (0)
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*020  $a978-0-9842260-0-9
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*084  $aIbvz Tapeter
*1001 $aSaunders, Gill
*24510$aWalls are talking :$bwallpaper, art and culture  /$cGill Saunders, Dominique Heyse-Moore, Trevor Keeble ; with an introduction by Christine Woods
*260  $aManchester ;$aChicago ;$a2010 :$bUniversity of Manchester, Whitworth Art Gallery$bKWS Publishers ,$c[2010]
*300  $a128 p.  :$bill. (chiefly col.)  :$c29 cm.
*500  $a"Published to coincide with the exhibition Walls are talking: wallpaper, art and culture, 5 February-3 May 2010, The Whitworth Art Gallery, The University of Manchester"--P. facing t.p.
*504  $aIncludes bibliographical references and index.
*650 4$aTapeter i konsten
*650 4$aWallpaper in art
*650 4$aExhibitions.
*650 4$aWallpaper in art
*650 4$aExhibitions.
*697  $cVäggbeklädnad
*697  $cSärskilda motiv i konsten
*7001 $aHeyse-Moore, Dominique$4aut
*7001 $aKeeble, Trevor$4aut
*7101 $aWhitworth art gallery
*7101 $aart gallery
*8520 $hKONST -  Ibvz Tapeter
^
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Featuring works by more than 30 international artists, including Sonia Boyce, Thomas Demand, Robert Gober, Damien Hirst, Abigail Lane, Francesco Simeti, and Niki de Saint Phalle, this collection puts wallpaper in context by showing how historic wallpaper motifs, styles, and methods are used in contemporary art and how existing patterns have been adapted and subverted to telling effect. Inherently ephemeral and often overlooked, wallpaper has hardly been the most obvious medium for a contemporary avant-garde artist; however, during the past two decades, artists exploring themes of home, memory, and identity have created installations with backdrops of specially designed wallpaper which has played a crucial part in the mise en scene. Some of the wallpapers are pictorial polemics that illustrate warfare or racism, and others show obvious conflicts in contemporary Western culture, in particular those associated with gender and sexuality.

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