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Titel och upphov Spaces of experience : art gallery interiors from 1800 to 2000
Utgivning, distribution etc. Yale University Press , New Haven, [Conn.] ; London ; 2009 : c2009
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 305 p. : ill. (some col.) : 27 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 0-300-15196-9 (hbk.) 0-300-15196-9 978-0-300-15196-1 (hbk.) 978-0-300-15196-1 :
Antal i kö:
*00002557nam a22009377a 4500
*00129056
*007|||||||||||||||||||||||
*008110824s2009 ctua | 001 0 eng|c
*020 $a0-300-15196-9 (hbk.)
*020 $a0-300-15196-9
*020 $a978-0-300-15196-1 (hbk.)
*020 $a978-0-300-15196-1 :$c¹45.00
*035 $a(Ko)33275
*040 $dStDuBDS$dStDuBDS$dH
*084 $aBg
*084 $aBh
*084 $aIib
*1001 $aKlonk, Charlotte.
*24510$aSpaces of experience :$bart gallery interiors from 1800 to 2000 /$cCharlotte Klonk.
*260 $aNew Haven, [Conn.] ;$aLondon ;$a2009 :$bYale University Press ,$cc2009
*300 $a305 p. :$bill. (some col.) :$c27 cm.
*504 $aIncludes bibliographical references and index.
*650 4$aArt
*650 4$aExhibition techniques
*650 4$aHistory
*650 4$a19th century.
*650 4$aArt
*650 4$aExhibition techniques
*650 4$aHistory
*650 4$a20th century.
*650 4$aArt museums
*650 4$aHistory
*650 4$a19th century.
*650 4$aArt museums
*650 4$aHistory
*650 4$a20th century.
*650 4$aVisual communication
*650 4$aSocial aspects
*650 4$aHistory
*650 4$a19th century.
*650 4$aVisual communication
*650 4$aSocial aspects
*650 4$aHistory
*650 4$a20th century.
*650 4$aUtställningsteknik
*650 4$ahistoria
*650 4$a1800-talet
*650 4$aUtställningsteknik
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aKonstmuseer
*650 4$ahistoria
*650 4$a1800-talet
*650 4$aKonstmuseer
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aVisuell kommunikation
*650 4$asociala aspekter
*650 4$ahistoria
*650 4$a1800-talet
*650 4$aVisuell kommunikation
*650 4$asociala aspekter
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aInteriörer (arkitektur)
*650 4$aInterior architecture
*697 $cAllmänna museer
*697 $cAllmänna utställningar
*697 $cKonstmuseer
*8520 $hKONST - Iib
*950 $aRummet (arkitektur)
*950 $aInteriörer (arkitektur)
*950 $aInredning
*950 $aInteriörer (arkitektur)
*950 $aInomhusmiljöer
*950 $aInteriörer (arkitektur)
*950 $aInredningsarkitektur
*950 $aInteriörer (arkitektur)
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This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the 18th to the late 20th century. It offers a detailed account of the different displays that have been created--the colors of the background walls, lighting, furnishings, the height and density of the art works on show--and it traces the different scientific, political and commercial influences that lay behind their development.
Charlotte Klonk shows that scientists like Hermann von Helmholtz and Wilhelm Wundt advanced theories of perception that played a significant role in justifying new modes of exhibiting. Equally important for the changing modes of exhibition in art galleries was what Michael Baxandall has called "the period eye," a way of seeing informed by the impact of new fashions in interior decoration and by department store and shop window displays. The history of museum interiors, she argues, should be appreciated as a revealing chapter in the broader history of experience.