Hylla
Titel och upphov Searching for art 's new publics
Utgivning, distribution etc. Intellect , Bristol, UK ; Chicago ; 2010 : 2010
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 224 p. : ill. (chiefly col.) : 23 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning "Drawing on contributions from practising art ists, writers, curators and academics, Searching for art 's new publics explores the ways in which art ists seek to involve, create and engage with new and diverse audiences, remarking on the fine line between the experience of being inside or outside the work."--Cover, p. [4].
Term
ISBN 978-1-84150-311-0 (pbk.) 978-1-84150-311-0 1-84150-311-8 (pbk.) 1-84150-311-8
Antal i kö:
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*020 $a978-1-84150-311-0 (pbk.)
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*24510$aSearching for art 's new publics /$cedited by Jeni Walwin
*260 $aBristol, UK ;$aChicago ;$a2010 :$bIntellect ,$c2010
*300 $a224 p. :$bill. (chiefly col.) :$c23 cm.
*504 $aIncludes bibliographical references and index.
*520 $a"Drawing on contributions from practising art ists, writers, curators and academics, Searching for art 's new publics explores the ways in which art ists seek to involve, create and engage with new and diverse audiences, remarking on the fine line between the experience of being inside or outside the work."--Cover, p. [4].
*650 4$aKonst och samhälle
*650 4$aArt s audiences.
*650 4$aInteractive art .
*650 4$aPerformance art .
*650 4$aArt and society.
*650 4$aArt , Modern
*650 4$a21st century.
*650 4$aArt and society
*697 $cKonstsociologi
*7001 $aWalwin, Jeni$4edt
*8520 $hKONST - Ia
*950 $aArkitektur och samhälle
*950 $aKonst och samhälle
*950 $aKonst och politik
*950 $aKonst och samhälle
*950 $aKonstpolitik
*950 $aKonst och samhälle
*950 $aSamhälle och konst
*950 $aKonst och samhälle
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Drawing on contributions from practicing artists, writers, curators, and academics, Searching for Art's New Publics explores the ways in which artists seek to involve, create and engage with new and diverse audiences--from passers-by encountering and participating in the work unexpectedly, to professionals from other disciplines and members of particular communities who bring their own agendas to the work. Bridging the gap between practice and theory, this exciting book touches on issues of relational aesthetics, but also offers an illustrated artist-based approach. Searching for Art's New Publics will appeal to students studying fine art (especially those with an interest in cross-disciplinary work and public art) and those studying curating.
Acknowledgements p. 7 Preface p. 9 Introduction p. 11 Keynote Essay: Don't Look Now! Art after the Viewer and beyond Participation p. 15 Participation: Open or Closed p. 31 The Anatomy of a Participatory Project p. 33 Interview with Artist Chris Evans p. 47 Case Study One: Adam Dant's Operation Owl Club p. 57 Who Speaks? Who Listens? Het Reservaat and Critical Friends p. 67 Tell Me Your Story: An Interview with Artist Harrell Fletcher p. 79 Sonic Openness p. 91 Open Sounds: On the Track of the Dissolving Audience p. 93 Eagles are the Best: Juneau Projects in Conversation p. 105 Case Study Two: Melanie Pappenheim in Reading p. 117 The Emancipation of the Spectator: The Viewer Completes the Circuit p. 125 Headless in Hirschhorn's Classroom p. 127 Linked p. 139 London Fieldworks: Polaria and Little Earth p. 145 The Art Object Reaches Out: Dissolves, Embraces p. 157 A Fair Event: Considering an Action by Nina Beier p. 159 Case Study Three: Gillian Wearing - Family History p. 169 An Audience withà p. 177 Bata-ville: We Are Not Afraid of the Future p. 187 Co-productive Exhibition-making p. 199 Contributors' Biographies p. 211 Index p. 217 Credits p. 222