Location
Main Entry - Personal Name
Title Statement The murmuring of the artistic multitude : global art, memory and post-Fordism
Varying Form of Title
Publication, Distribution, etc. (Imprint) Valiz , Amsterdam ; 2010 : [2010]
SAB Classification Code
Physical Description
Series Statement
Series Added Entry - Uniform Title
Bibliography, etc. Note
Subject - Topical Term
ISBN 978-90-78088-34-9 978-90-78088-34-9 90-78088-34-6 90-78088-34-6
Waiting
*00001591nam a22004937a 4500
*00128891
*007|||||||||||||||||||||||
*008110824s2010 ne | 000 0 eng d
*020 $a978-90-78088-34-9
*020 $a978-90-78088-34-9
*020 $a90-78088-34-6
*020 $a90-78088-34-6
*035 $a(Ko)33105
*040 $dNLGGC$ddut$dNLGGC$dUTO$dfobidrtb
*084 $a20.10
*084 $aIaa
*1001 $aGielen, Pascal
*24514$aThe murmuring of the artistic multitude :$bglobal art, memory and post-Fordism /$cPascal Gielen ; [transl. Dutch-English Clare McGregor]
*2461 $aArts in society
*260 $aAmsterdam ;$a2010 :$bValiz ,$c[2010]
*300 $a263 p. :$bill. :$c21 cm.
*4900 $aAntennae series ;$vno. 3
*4900 $aThe arts in society series ;$v6
*504 $aMet index, lit. opg.
*650 4$aKunstsociologie
*650 4$aInternationalisatie.
*650 4$aArt and globalization.
*650 4$aKonstsociologi
*650 4$aKonst och globalisering
*650 4$aArt and globalization
*650 4$aArt and society
*697 $cKonstteori och konstestetik
*7001 $aMcGregor, Clare$4trl
*830 0$aAntennae ;$vno. 3$w(NL-LeOCL)322705894
*830 0$aKunstpraktijk in de samenleving ;$v6$w(NL-LeOCL)310750016
*8520 $hKONST - Iaa
*950 $aGlobalisering
*950 $aKonst och globalisering
*950 $aGlobalisering och konst
*950 $aKonst och globalisering
^
No reviews exists for this book.
Click here
to be the first to write a review.
Here, art sociologist Pascal Gielen examines the notion that the global art economy--with its ever-renewable youth quota, its gender imbalance, flexible working hours and short-term contracts (or lack of contracts)--is wholly congruent with the worst aspirations of late capitalism, and is ripe for economic exploitation. Conscious that art also offers real liberties, Gielen also proposes alternative models and argues for a recognition of the values implied by the creative process, rather than by the subtle coercions of post-Fordist production imperatives to which we are all subject.