Hylla
Titel och upphov Swedish film : an introduction and reader
Utgivning, distribution etc. Nordic Academic Press , Lund ; 2010 : 2010 (Falun : Scandbook )
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc.
Term
ISBN 978-91-85509-36-2 (inb.) 978-91-85509-36-2
Antal i kö:
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*020 $a978-91-85509-36-2 (inb.)
*020 $a978-91-85509-36-2
*035 $a(Ko)33069
*040 $dBCTA$dLGEN$dSfi$dS
*084 $aImb-c.5
*084 $aF71(485)
*24510$aSwedish film :$ban introduction and reader /$cedited by Mariah Larsson & Anders Marklund
*260 $aLund ;$a2010 :$bNordic Academic Press ,$c2010$e(Falun :$fScandbook )
*300 $a367 s. :$bill. :$c23 cm
*504 $aIndex
*650 4$aFilm
*650 4$ahistoria
*650 4$aSverige
*650 4$aSverige
*697 $cFilmhistoria: Sverige: 1905-
*7001 $aLarsson, Mariah,$d1972-$4edt
*7001 $aMarklund, Anders,$d1970-$4edt
*8520 $hIm
^
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The Editors give a wide and yet concise presentation of the history of Swedish film through carefully selected articles by Swedish and international film scholars. The book draws upon a rich tradition of research on Swedish cinema, and it offers a varied and inspiring introduction to the history from the very first film screenings to contemporary works. The anthology is organized in thematic sections on, for instance, the Swedish cinema institutions; silent films; genre cinema; authors and art cinema, and a reflection on the film industry before and after the new millennium. Combining in-depth studies with contextualizing introductions, the book provides a rich spectrum of perspectives on Swedish film previously unavailable in English. The book will be essential reading for students, scholars and anyone who has an interest in Swedish cinema!
Institution Changing Institutions for Film Screenings Introduction p. 20 Going to the Cinema p. 23 Censorship in Sweden p. 34 Silent Cinema Introducing Cinema to Sweden Introduction p. 44 Film Exhibition in Örebro 1897-1902 p. 47 Georg af Klercker, the Silent Era and Film Research p. 63 The Golden Age and Late Silent Cinema Introduction p. 72 Victor Sjöström and the Golden Age p. 76 Selma Lagerlöf and Literary Adaptations p. 86 Travellers as a Threat in Swedish Film in the 1920s p. 92 Genre Cinema Popular Cinema in the 1930s Introduction p. 106 The Melodramas of Gustaf Molander p. 109 The 1930s' Folklustspel and Film Farce p. 119 Celebrating Swedishness Swedish-Americans and Cinema p. 134 Hollywood's Influence after the War? Introduction p. 144 Youth Problem Films in the Post-War Years p. 147 Little Miss Lonely Style and Sexuality in p. 161 Documentary Filmmaking in Sweden Introduction p. 169 A Fly on the Wall On Dom kallar oss mods and the Mods Trilogy p. 173 Genre Filmmaking in a Difficult Film Climate Introduction p. 182 Pippi and her Pals p. 186 The Criminal and Society in Mannen på taket p. 198 Contested Pleasures p. 205 Auteurs and Art Cinema Art Cinema, Auteurs and the Art Cinema 'Institution' Introduction p. 216 Ingmar Bergman and Modernity Some Contextual Remarks p. 219 Peter Weiss: Underground and Resistance p. 229 The New Generation of the 1960s Introduction p. 239 The Reception of Vilgot Sjöman's Curious films p. 243 Poetry in Sound and Image Jan Troell's Early TV Films p. 256 Modernity, Masculinity and the Swedish Welfare State: Mai Zetterling's Flickorna p. 263 Changing Conditions for Auteurs after 1970 Introduction p. 270 The Complex Image p. 274 Distinctive Films in Mainstream Cinema Suzanne Osten's Bröderna Mozart p. 279 Before and After the New Millenium A Renewal of Swedish Film? Introduction p. 284 Distinctive Films in Mainstream Cinema p. 287 'Immigrant Film' in Sweden at the Millennium p. 292 Swedish Films and Filmmakers Abroad Introduction p. 306 Lasse Hallström: Family Secrets p. 311 Production and Producers Introduction p. 321 Local and Global: Lukas Moodysson and Memfis p. 325 The Regional Turn: Developments in Scandinavian Film Production p. 334 Contributors p. 346 Index p. 350