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  • FOTOGRAFI - Inz Sultan, Larry
Personnamn
Titel och upphov
  • Katherine Avenue
Utgivning, distribution etc.
  • Steidl Thames & Hudson [distributor] , Göttingen ; London ; 2010 : c2010
Utgivningsår
  • 2010
  • Språk: Engelska.
SAB klassifikationskod
Upplaga
  • 1st ed.
Fysisk beskrivning
  • 131 p. : chiefly col. ill. : 28 x 29 cm
Anmärkning: Allmän
  • Accompanies an exhibition at the Kestnergesellschaft, Hannover.
Personnamn
Term
ISBN
  • 978-3-86930-135-8 (hbk.)
  • 978-3-86930-135-8
  • 3-86930-135-X (hbk.)
  • 3-86930-135-X
Antal i kö:
  • 0 (0)
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*008110824s2010    gw a   | c    000 0 eng||
*020  $a978-3-86930-135-8 (hbk.)
*020  $a978-3-86930-135-8
*020  $a3-86930-135-X (hbk.)
*020  $a3-86930-135-X
*035  $a(Ko)33000
*040  $dAZU$dAZU$dNDD$dKo
*0410 $aeng$ager
*084  $aInz Sultan, Larry
*1001 $aSultan, Larry,$d1946-
*24510$aKatherine Avenue  /$cLarry Sultan
*250  $a1st ed.
*260  $aGöttingen ;$aLondon ;$a2010 :$bSteidl$bThames & Hudson [distributor] ,$cc2010
*300  $a131 p.  :$bchiefly col. ill.  :$c28 x 29 cm
*500  $aAccompanies an exhibition at the Kestnergesellschaft, Hannover.
*60014$aSultan, Larry,$d1946-
*650 4$aPhotography, Artistic
*650 4$aExhibitions.
*697  $cKonst, musik, teater och film
*8520 $hFOTOGRAFI -  Inz Sultan, Larry
^
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This book brings together three of Larry Sultan's best known series: "Pictures from Home", "The Valley" and "Homeland". Made principally in the San Fernando Valley, where the artist grew up, in these works Larry Sultan explored the domestic landscape of his childhood and adolescence by photographing and re-presenting photographs of his parents, their home, and their experience of the American Dream. Wandering further behind this Californian fabric, he photographed in suburban homes serving as sets in the pornographic industry. His work culminated in a series of tableau of Latino day labourers undertaking prosaic tasks on the peripheries of these suburban sites - the kind of places where, growing up, he would find his own sense of space and freedom. This publication accompanies an exhibition at the kestnergesellschaft, Hannover and features an essay by curator Martin Germann. It is co-published with Galerie Thomas Zander, Cologne, and kestnergesellschaft, Hannover,

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