Konstfacks bibliotek

The sublime
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Titel och upphov
  • The sublime
Utgivning, distribution etc.
  • Whitechapel Gallery MIT Press , London ; Cambridge, Mass. ; 2010 : 2010
Utgivningsår
  • 2010
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 237 p. : 21 cm
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • The unpresentable -- Transcendence -- Nature -- Technology -- Terror -- The uncanny -- Altered states.
Term
ISBN
  • 978-0-85488-178-9
  • 0-85488-178-6 (Whitechapel Gallery : pbk.)
  • 0-85488-178-6
  • 978-0-262-51391-3 (MIT Press : pbk. : alk. paper)
  • 978-0-262-51391-3
  • 0-262-51391-9 (MIT Press : pbk. : alk. paper)
  • 0-262-51391-9
  • 978-0-85488-178-9 (Whitechapel Gallery : pbk.)
Antal i kö:
  • 0 (0)
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*008110824s2010    enk    | b    001 0 eng||
*020  $a978-0-85488-178-9
*020  $a0-85488-178-6 (Whitechapel Gallery : pbk.)
*020  $a0-85488-178-6
*020  $a978-0-262-51391-3 (MIT Press : pbk. : alk. paper)
*020  $a978-0-262-51391-3
*020  $a0-262-51391-9 (MIT Press : pbk. : alk. paper)
*020  $a0-262-51391-9
*020  $a978-0-85488-178-9 (Whitechapel Gallery : pbk.)
*035  $a(Ko)32998
*040  $dDLC$dDLC$dUKM$dERASA$dC#P$dYDXCP$dBWX$dCDX$dG
*084  $aIaa
*24514$aThe sublime  /$cedited by Simon Morley
*260  $aLondon ;$aCambridge, Mass. ;$a2010 :$bWhitechapel Gallery$bMIT Press ,$c2010
*300  $a237 p.  :$c21 cm
*4900 $aDocuments of contemporary art
*504  $aIncludes bibliographical references and index.
*505  $tThe unpresentable -- Transcendence -- Nature -- Technology -- Terror -- The uncanny -- Altered states.
*650 4$aArt, Modern
*650 4$a20th century
*650 4$aArt, Modern
*650 4$a21st century
*650 4$aArt and society
*650 4$aHistory
*650 4$a20th century
*650 4$aArt and society
*650 4$aHistory
*650 4$a21st century
*650 4$aDet sublima
*650  $aArtists' writings
*697  $cKonstteori och konstestetik
*7001 $aMorley, Simon ,$d1958-$4edt
*830 0$aDocuments of contemporary art
*8520 $hKONST -  Iaa
^
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Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . In a world where technology, spectacle and excess seem to eclipse former concepts of nature, the individual and society, what might be the characteristics of a contemporary sublime? If there is any consensus it is in the notion that the sublime represents a taking to the limits, to the point at which fixities begin to fragment. This anthology examines how ideas of the sublime are explored in the work of contemporary artists and theorists, in relation to the unpresentable, transcendence, terror, nature, technology, the uncanny and altered states. Artists surveyed include: Marina Abramović, Joseph Beuys, Tacita Dean, Walter De Maria, A K Dolven, Olafur Eliasson, Andreas Gursky, Jitka Hanzlová, Gary Hill, Susan Hiller, Shirazeh Houshiary, Anish Kapoor, Mike Kelley, Anselm Kiefer, Yves Klein, Richard Long, Barnett Newman, Tony Oursler, Cornelia Parker, Gerhard Richter, Doris Salcedo, Lorna Simpson, Hiroshi Sugimoto, Fred Tomaselli, James Turrell, Luc Tuymans, Bill Viola and Zhang Huan. Writers include: Marco Belpoliti, John Berger, Paul Crowther, Jacques Derrida, Okwui Enwezor, Jean Fisher, Barbara Claire Freeman, Jeremy Gilbert-Rolfe, Doreet LeVitte-Harten, Eleanor Heartney, Lynn M. Herbert, Luce Irigaray, Fredric Jameson, Lee Joon, Julia Kristeva, Jean-François Lyotard, Thomas McEvilley, Vijay Mishra, David Morgan, Jean-Luc Nancy, Jacques Rancière, Gene Ray, Robert Rosenblum, Philip Shaw, Marina Warner, Thomas Weiskel and Slavoj Žižek.

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 Utlånat06.05.2024Konstfacks bibliotek KONST - Iaa