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Titel och upphov Relationscapes : movement , art, philosophy
Utgivning, distribution etc. MIT Press , Cambridge, Mass. : c2009
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning x, 268 p. : ill. : 24 cm.
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc. Includes bibliographical references (p. [247]-255) and index.
Anmärkning: Innehåll Prelude: What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- Interlude: A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Interlude: Perceptions in folding -- Grace taking form : Marey's movement machines -- Interlude: Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves through fascism -- Interlude: Of force fields and rhythm contours : David Sprigg's animate sculptures -- Relationscapes : how contemporary Aboriginal art moves beyond the map -- Constituting facts : Dorothy Napangardi dances the dreaming -- Interlude: Cornering a beginning -- Conclusion: Propositions for thought in motion.
Term
ISBN 978-0-262-13490-3 (hard cover : alk. paper) 978-0-262-13490-3 0-262-13490-X (hard cover : alk. paper) 0-262-13490-X
Antal i kö:
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*008110824s2009 maua | b 001 0 eng||
*020 $a978-0-262-13490-3 (hard cover : alk. paper)
*020 $a978-0-262-13490-3
*020 $a0-262-13490-X (hard cover : alk. paper)
*020 $a0-262-13490-X
*035 $a(Ko)32955
*084 $aDh
*1001 $aManning, Erin
*24510$aRelationscapes :$bmovement , art, philosophy /$cErin Manning
*260 $aCambridge, Mass. :$bMIT Press ,$cc2009
*300 $ax, 268 p. :$bill. :$c24 cm.
*4900 $aTechnologies of lived abstraction
*504 $aIncludes bibliographical references (p. [247]-255) and index.
*505 $tPrelude: What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- Interlude: A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Interlude: Perceptions in folding -- Grace taking form : Marey's movement machines -- Interlude: Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves through fascism -- Interlude: Of force fields and rhythm contours : David Sprigg's animate sculptures -- Relationscapes : how contemporary Aboriginal art moves beyond the map -- Constituting facts : Dorothy Napangardi dances the dreaming -- Interlude: Cornering a beginning -- Conclusion: Propositions for thought in motion.
*650 4$aMovement (Philosophy)
*650 4$aTechnology.
*650 4$aTeknologi
*650 4$aFilosofi
*650 4$aFilosofisk antropologi
*650 4$aPhilosophical anthropology
*650 4$aPhilosophy
*830 0$aTechnologies of lived abstraction.
*8520 $hD
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With Relationscapes , Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity -- the incipiency at the heart of movement -- Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. Discussing her theory of incipient movement in terms of dance and relational movement, Manning describes choreographic practices that work to develop with a body in movement rather than simply stabilizing that body into patterns of displacement. She examines the movement-images of Leni Riefenstahl, #65533;tienne-Jules Marey, and Norman McLaren (drawing on Bergson's idea of duration), and explores the dot-paintings of contemporary Australian Aboriginal artists. Turning to language, Manning proposes a theory of prearticulation claiming that language's affective force depends on a concept of thought in motion. Relationscapes takes a "Whiteheadian perspective," recognizing Whitehead's importance and his influence on process philosophers of the late twentieth century -- Deleuze and Guattari in particular. It will be of special interest to scholars in new media, philosophy, dance studies, film theory, and art history.
Series Foreword p. ix Prelude: What Moves as a Body Returns as a Movement of Thought p. 1 Introduction: Events of Relation-Concepts in the Making p. 5 Incipient Action: The Dance of the Not- Yet p. 13 The Elasticity of the Almost p. 29 Interlude: A Mover's Guide to Standing Still p. 43 Taking the Next Step p. 49 Dancing the Technogenetic Body p. 61 Interlude: Perceptions in Folding p. 77 Grace Taking Form: Marey's Movement Machines p. 83 Interlude: Animation's Dance p. 113 From Biopolitics to the Biogram, or How Leni Riefenstahl Moves through Fascism p. 119 Interlude: Of Force Fields and Rhythm Contours-David Spriggs's Animate Sculptures p. 143 Relationscapes: How Contemporary Aboriginal Art Moves beyond the Map p. 153 Constituting Facts: Dorothy Napangardi Dances the Dreaming 185 Interlude: Cornering a Beginning p. 207 Conclusion: Propositions for Thought in Motion p. 213 Notes p. 229 Bibliography p. 247 Index p. 257