Konstfacks bibliotek

*00000548cam a22002057a 4500
*00128587
*00520130319092530.0
*008060206s2005    xxu||||      |00| ||eng c
*020  $a0-399-53197-1 (hft.)
*020  $a978-0-399-53197-2
*035  $a(SE-LIBR)10085674
*08204$a701$222
*084  $aIaa$2kssb/7
*084  $aDf$2kssb/7
*1001 $aDewey, John,$d1859-1952
*24510$aArt as experience /$cby John Dewey
*250  $aPerigree trade paperback ed.
*260  $aNew York :$bPenguin Books,$c2005
*300  $avii, 371 s.
*4900 $aA Perigee book
*650 7$aEstetik$2sao$0https://id.kb.se/term/sao/Estetik
*841  $5Ko$ax  a$b1006154u    8   1001uu   0901128$e4
*852  $5Ko$bKo$cKONST -$hIaa
*852  $5Ko$bKo
^

Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.

• Prefacep. vii
• The Live Creaturep. 1
• The Live Creature and "Etherial Things"p. 20
• Having an Experiencep. 36
• The Act of Expressionp. 60
• The Expressive Objectp. 85
• Substance and Formp. 110
• The Natural History of Formp. 139
• The Organization of Energiesp. 168
• The Common Substance of the Artsp. 194
• The Varied Substance of the Artsp. 222
• The Human Contributionp. 255
• The Challenge to Philosophyp. 283
• Criticism and Perceptionp. 310
• Art and Civilizationp. 339
• Indexp. 365