Konstfacks bibliotek

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*020  $a978-87-635-2597-8
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*084  $aIaa$2kssb/8
*24510$aContemporary painting in context /$cedited by Anne Ring Petersen ; with Mikkel Bogh, Hans Dam Christensen, Peter Nørgaard Larsen
*260  $aKøbenhavn :$bMuseum Tusculanum Press, University of Copenhagen,$c2010
*300  $a220 s. :$bill.
*4900 $aNovo Nordisk art history project
*650 7$aMålarkonst$y1900-talet$2sao
*650 7$aMålarkonst$y2000-talet$2sao
*650 7$aKonst och samhälle$y1900-talet$2sao
*650 7$aKonst och samhälle$y2000-talet$2sao
*7001 $aRing Petersen, Anne$4edt
*7001 $aBogh, Mikkel$4edt
*7001 $aDam Christensen, Hans$4edt
*7001 $aNørgaard Larsen, Peter$4edt
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*852  $5Ko$bKo$cKONST -$hIaa
*852  $5Ko$bKo
*900  $aLarsen, Peter Nørgaard$uNørgaard Larsen, Peter
*900  $aPetersen, Anne Ring$uRing Petersen, Anne
*900  $aChristensen, Hans Dam$uDam Christensen, Hans
^

The essays collected in Contemporary Painting in Context examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. The contributors address a range of important issues ? including how paintings present themselves to us today. That is to say, how paintings are ?framed? experientially, institutionally and culturally; the ways in which paintings of today can be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption; and whether it is possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history, visual culture studies or gender studies. Contributors: Jonathan Harris, Peter Weibel, Barry Schwabsky, Stephen Melville, Katharina Grosse, Anne Ring Petersen, Katy Deepwell, Rune Gade, Gitte Ørskou and Chin-Tao Wu.

• Introductionp. 9
• Painting in the Common Culture
• 'Contemporary', 'Common', 'Context', 'Criticism': Painting after the End of Postmodernismp. 25
• Pittura/Immedia: Painting in the Nineties between Mediated Visuality and Visuality in Contextp. 43
• Rethinking the Ontology of Painting
• Object or Project? A Critic's Reflections on the Ontology of Paintingp. 69
• Painting: Ontology and Experiencep. 81
• The Expanded Field
• The Poise of the Head und die anderen folgenp. 97
• Painting Spacesp. 123
• Painting and the Question of Gender-Specificity
• Claims for a Feminist Politics in Paintingp. 143
• Matter and Meaning: 'The Slime of Painting'p. 165
• Painting, Institutions, Market
• The Longing for Order: Painting as the Gatekeeper of Harmonyp. 179
• YBA Saatchi?-from Shark Sensation to Pastoral Paintingp. 197
• List of Contributorsp. 217