Konstfacks bibliotek

Modern Japanese prints : the twentieth century
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  • KONST - If
Titel och upphov
  • Modern Japanese prints : the twentieth century
Utgivning, distribution etc.
  • Carnegie Museum of Art , Pittsburgh, Pa. : 2009
Utgivningsår
  • 2009
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 200 s. : färgill.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • Modern Japanese prints in the collection of Carnegie Museum of Art / Amanda T. Zehnder -- James Bliss Austin, biography of a Pittsburgh collector -- The collection -- Acknowledgments -- Index of artists, publishers, and series.
Institutionsnamn
Term
Institutionsnamn
ISBN
  • 978-0-88039-049-1
  • 978-0-88039-049-1
Antal i kö:
  • 0 (0)
*00001319nam a22003858  4500
*00128508
*007|||||||||||||||||||||||
*008110824s2009    xxu    | bc   00| u eng||
*020  $a978-0-88039-049-1
*020  $a978-0-88039-049-1
*035  $a(Ko)32687
*084  $aIib-qaz Pittsburgh : Carnegie Museum of Art
*084  $aIf-oec.5
*24510$aModern Japanese prints :$bthe twentieth century  /$cCarnegie Museum of Art
*260  $aPittsburgh, Pa.  :$bCarnegie Museum of Art ,$c2009
*300  $a200 s.  :$bfärgill.
*504  $aIncludes bibliographical references and index.
*505  $tModern Japanese prints in the collection of Carnegie Museum of Art / Amanda T. Zehnder -- James Bliss Austin, biography of a Pittsburgh collector -- The collection -- Acknowledgments -- Index of artists, publishers, and series.
*61024$aCarnegie Museum of Art
*650 4$aPrints, Japanese
*650 4$a20th century
*650 4$aPrints
*650 4$aPennsylvania
*650 4$aPittsburgh
*650 4$aGrafisk konst
*650 4$a1900-talet
*650 4$aJapan
*650 4$aKonstmuseer
*650 4$aPittsburgh
*650 4$aFörenta staterna
*7101 $aCarnegie Museum of Art
*8520 $hKONST -  If
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This volume presents more than 1,000 exemplary twentieth-century Japanese woodblock prints, from the collection of Carnegie Museum of Art in Pittsburgh. Taken together, the collection reflects the stylistic movements, aesthetic directions and historic changes of the past century, with particular emphasis on two significant movements: sosakuhanga (creative prints), represented by in-depth selections by Hiratsuka Un'ichi, Onchi Koshiro and Munakata Shiko; and shin-hanga (new prints), with works by Kawase Hasui and Hashiguchi Goyo. Carnegie Museum of Art also possesses several complete series of prints produced in such limited numbers that they are rarely seen today, including One Hundred Views of New Tokyo created between 1929 and 1932. In addition, an essay on the history and significance of the collection provides a brief introduction to Japanese printmaking in the twentieth century, making this illustrated guide an invaluable reference for researchers, curators, collectors and general enthusiasts of Japanese art.

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