Konstfacks bibliotek

*00001184nam a22003977a 4500
*00128488
*007|||||||||||||||||||||||
*008110824s2009    gw a   |      000 0 eng c
*020  $a978-3-86521-495-9
*020  $a978-3-86521-495-9
*035  $a(Ko)32667
*040  $dKo
*084  $aInz Hare, Chauncey
*1001 $aHare, Chauncey,$d1934-
*24510$aProtest photographs  /$cChauncey Hare ; edited by Steven Kasher and Jack von Euw
*260  $aGöttingen ;$aNew York, N.Y. ;$a2009 :$bSteidl$bSteven Kasher Gallery ,$c2009
*300  $a373 s.  :$bill.
*60014$aHare, Chauncey,$d1934-
*650 4$aFotokonst
*650 4$aFörenta staterna
*650 4$a1900-talet
*650 4$aDokumentärfotografi
*650 4$a1900-talet
*650 4$aFörenta staterna
*650 4$aPorträttfotografi
*650 4$a1900-talet
*650 4$aFörenta staterna
*697  $cKonst, musik, teater och film
*7001 $aKasher, Steven$4edt
*7001 $aEuw, Jack von$4edt
*7300 $aChauncey Hare : protest photographs
*8520 $hFOTOGRAFI -  Inz Hare, Chauncey
^

Chauncey Hare made highly detailed photographs of the interiors of working-class homes and workplaces across America in the late 1960s and early 1970s. This new book contains twice as many moving, disturbing and often surprising photographs as have appeared in his two earlier books, Interior America (1977) and This Was Corporate America (1984).

Hare's fast-paced introduction to the book highlights his life of protest, a life filled with unbelievable coincidences, learning, and pain. He describes his strong identification with the people whose homes he photographs and his adamant unwillingness to betray them by selling their photographs at any price. He tells of his struggles to have his photographs, accompanied by explanatory text, accepted by the art world. He relates the abusive situations he has endured in his childhood, and in his work life as an engineer at a major oil company and at the U.S. Environmental Protection Agency.