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Titel och upphov The design history reader
Utgivning, distribution etc. Berg Publishers , New York : 2010
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning "This is the first anthology to address Design History as an established discipline, a field of study which is developing a contextualised understanding of the role of design and designed objects within social and cultural history. Extracts range from the 18th Century, when design and manufacture separated, to the present day. Drawn from scholarly and polemical books, research articles, exhibition catalogues, and magazines, the extracts are placed in themed sections, with each section separately introduced and each concluded with an annotated guide to further reading. Covering both primary texts (such as the writings of designers and design reformers) and secondary texts (in the form of key works of design history), the reader provides an essential resource for understanding the history of design, the development of the discipline, and contemporary issues in design history and practice. Selected authors: Judy Attfield, Jeremy Aynsley, Rayner Banham, Roland Barthes, Jean Baudrillard, Walter Benjamin, Pierre Bourdieu, Christopher Breward, Denise Scott Brown, Ruth Schwarz Cowan, Clive Dilnot, Buckminster Fuller, Paul Greenhalgh, Dick Hebdige, Steven Heller, John Heskett, Pat Kirkham, Adolf Loos, Victor Margolin, Karl Marx, Jeffrey Meikle, William Morris, Gillian Naylor, Victor Papanek, Nikolaus Pevsner, John Ruskin, Adam Smith, Penny Sparke, John Styles, Nancy Troy, Thorstein Veblen, Robert Venturi, John Walker, Frank Lloyd Wright"--Provided by publisher.
Term
ISBN 978-1-84788-389-6 (pbk.) 978-1-84788-389-6 1-84788-389-3 (pbk.) 1-84788-389-3 978-1-84788-388-9 (hc) 978-1-84788-388-9 1-84788-388-5 (hc) 1-84788-388-5
Antal i kö:
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*008110824s2010 nyu | b 001 0 eng||
*020 $a978-1-84788-389-6 (pbk.)
*020 $a978-1-84788-389-6
*020 $a1-84788-389-3 (pbk.)
*020 $a1-84788-389-3
*020 $a978-1-84788-388-9 (hc)
*020 $a978-1-84788-388-9
*020 $a1-84788-388-5 (hc)
*020 $a1-84788-388-5
*035 $a(Ko)32594
*084 $aIh
*084 $aIb
*24514$aThe design history reader /$cedited by Grace Lees-Maffei and Rebecca Houze
*260 $aNew York :$bBerg Publishers ,$c2010
*300 $a546 s. :$bill.
*504 $aIncludes bibliographical references and index.
*520 $a"This is the first anthology to address Design History as an established discipline, a field of study which is developing a contextualised understanding of the role of design and designed objects within social and cultural history. Extracts range from the 18th Century, when design and manufacture separated, to the present day. Drawn from scholarly and polemical books, research articles, exhibition catalogues, and magazines, the extracts are placed in themed sections, with each section separately introduced and each concluded with an annotated guide to further reading. Covering both primary texts (such as the writings of designers and design reformers) and secondary texts (in the form of key works of design history), the reader provides an essential resource for understanding the history of design, the development of the discipline, and contemporary issues in design history and practice. Selected authors: Judy Attfield, Jeremy Aynsley, Rayner Banham, Roland Barthes, Jean Baudrillard, Walter Benjamin, Pierre Bourdieu, Christopher Breward, Denise Scott Brown, Ruth Schwarz Cowan, Clive Dilnot, Buckminster Fuller, Paul Greenhalgh, Dick Hebdige, Steven Heller, John Heskett, Pat Kirkham, Adolf Loos, Victor Margolin, Karl Marx, Jeffrey Meikle, William Morris, Gillian Naylor, Victor Papanek, Nikolaus Pevsner, John Ruskin, Adam Smith, Penny Sparke, John Styles, Nancy Troy, Thorstein Veblen, Robert Venturi, John Walker, Frank Lloyd Wright"--Provided by publisher.
*650 4$aDesign
*650 4$aHistoriography.
*650 4$ahistoria
*650 4$aHistoriografi
*650 4$aKonsthistorieskrivning
*7001 $aLees-Maffei, Grace$4edt
*7001 $aHouze, Rebecca$4edt
*8520 $hDESIGN - Ih:d
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This is the first anthology to address Design History as an established discipline, a field of study which is developing a contextualised understanding of the role of design and designed objects within social and cultural history.
List of Illustrations Acknowledgements Notes on Contributors General Introduction Histories New Designers 1676- 1820 Introduction An Indian Basket, Providence, Rhode Island, 1676 A Slipware Dish by Samuel Malkin: An Analysis of Vernacular Design Of The Division of Labour The Wedgwood Slave Medallion: Values in Eighteenth-Century Design Manufacturing, Consumption and Design in Eighteenth Century England Guide to Further Reading for Section 1 Design Reform 1820-1910 Introduction Science, Industry, and Art The Nature of Gothic The Ideal Book The 'American System' and Mass-Production from Industrial Design The 1900 Paris Exposition, from Art Nouveau in Fin-de-Siècle France The Art and Craft of the Machine Guide to Further Reading for Section 2 Modernisms 1908-1950 Introduction Introduction to Modernism in Design Ornament and Crime Werkbund Theses and Antitheses The Modern Movement before Nineteen-fourteen from Pioneers of Modern Design The Coloristes and Charles-Edouard Jeanneret, from Modernism and the Decorative Arts in France From Workshop to Laboratory, from The Bauhaus Reassessed The Search for an American Design Aesthetic: from Art Deco to Streamlining Guide to Further Reading for Section 3 War/Postwar/Cold War 1943-1970 Introduction Utility Furniture and the Myth of Utility 1943-1948 'Here Is the Modern World Itself' the Festival of Britain's Representations of The Future Populuxe The Khrushchev Kitchen: Domesticating the Scientific-Technological Revolution All That Glitters is Not Stainless Guide to Further Reading for Section 4 Postmodernisms 1967-2006 Introduction A Significance for A & P Parking Lots, or Learning from Las Vegas The Ecstasy of Communication There is No Kitsch, There is Only Design! Deconstruction and Graphic Design: History Meets Theory What was Philippe Starck thinking of? Fabricating Identities: Survival and the Imagination in Jamaican Dancehall Culture Guide to Further Reading for Section 5 Sustainable Futures 1960-2003 Introduction Operating Manual for Spaceship Earth How to Outmode a $4,000 Vehicle in Two Years, from The Waste Makers Do-It-Yourself Murder: the Social and Moral Responsibility of the Designer, from Design for the Real World Material Doubts and Plastic Fallout, from American Plastic Introduction, The Green Consumer Supermarket Guide Redefining Rubbish: Commodity Disposal and Sourcing The Hannover Principles. Design for Sustainability Guide to Further Reading for Section 6 Methods and Themes Foundations, Debates, Historiography, 1980-1995 Introduction Taking Stock in Design History The State of Design History, Part I: Mapping the Field Design History and the History of Design Design History or Design Studies: Subject Matter and Methods Resisting Colonization: Design History Has Its Own Identity Guide to Further Reading for Section 7 Objects, Subjects And Negotiations Introduction Object as Image: The Italian Scooter Cycle The Most Cherished Objects in the Home How the Refrigerator Got Its Hum The History of Craft Faith, Form and Finish: Shaker Furniture in Context Guide to Further Reading for Section 8 Gender and Design Introduction FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design The Architect's Wife, Introduction to As Long As Its Pink Humanizing Modernism: the Crafts, 'Functioning Decoration,' and the Eamses 'In London's maze': the pleasures of fashionable consumption from The Hidden Consumer Self-Made Motormen: The Material Construction of Working-class Masculine Identities through Car Modification Guide to Further Reading for Section 9 Consumption Introduction The Fetishism of the Commodity and its Secret, from Capital Conspicuous Consumption from The Theory of the Leisure Class Myth Today, The New Citroën, and Plastic, from Mythologies Introduction and The Sense of Distinction from Distinction: A Social Critique of the Judgement of Taste 'Parties Are the Answer': The Ascent of the Tupperware Party The Revolution Will Be Marketed: American Corporations and Black Consumers during the 1960s Guide to Further Reading for Section 10 Mediation Introduction The Work of Art in the Age of Mechanical Reproduction Advertising, Mother of Graphic Design 'Decorators May Be Compared to Doctors' An Analysis of Rhoda and Agnes Garrett's Suggestions For House Decoration In Painting, Woodwork And Furniture (1876) Integrative Practice: Oral History, Dress and Disability Studies Introduction to Design and the Modern Magazine Guide to Further Reading for Section 11 Local/Regional/National/Global Introduction Finding Poland in the Margins: The Case of the Zakopane Style Furniture Design and Colonialism: Negotiating Relationships between Britain and Australia, 1880-1901 "From Baby's First Bath:" Kaô Soap and Modern Japanese Commercial Design Land Rover and Colonial-Style Adventure Swoosh Identity: Recontextualizations in Haiti and Romania Guide to Further Reading for Section 12 Bibliography Index