Location DESIGN & KONSTHANTVERK - Ihö
Main Entry - Personal Name
Title Statement
Publication, Distribution, etc. (Imprint) Edizioni Corraini , Mantova [Italy] : 2007.
SAB Classification Code
Edition Statement
Physical Description 66 p. : ill. (some col.) : 21 cm.
Series Statement
Series Added Entry - Uniform Title
General Note Cover title. Chiefly color photographs. "First edition 1973, Emme Edizioni, Milano"--Prelim. p.
Subject - Topical Term
ISBN 978-88-7570-136-9 978-88-7570-136-9 88-7570-136-9 88-7570-136-9
Waiting
*00001272nam a22003977a 4500
*00128355
*007|||||||||||||||||||||||
*008110824s2007 it a | 000 0 eng d
*020 $a978-88-7570-136-9
*020 $a978-88-7570-136-9
*020 $a88-7570-136-9
*020 $a88-7570-136-9
*035 $a(Ko)32525
*0410 $aeng$hita
*084 $aIhö
*1001 $aMunari, Bruno,$d1907-1998
*24512$aA flower with love /$cBruno Munari ; [photos by Alberto Munari, Bruno Munari, and Francesco De Col Tana ; translated by Isobel Butters]
*250 $a1. Corraini ed. 2007
*260 $aMantova [Italy] :$bEdizioni Corraini ,$c2007.
*300 $a66 p. :$bill. (some col.) :$c21 cm.
*4900 $aWorkshop series
*500 $aCover title.
*500 $aChiefly color photographs.
*500 $a"First edition 1973, Emme Edizioni, Milano"--Prelim. p.
*650 4$aFlower arrangement, Japanese.
*650 4$aFlower arrangement
*650 4$aPictorial works.
*650 4$aBlomsterarrangemang
*650 4$abildverk
*650 4$aIkebana
*830 0$aWorkshop series (Mantua, Italy)
*8520 $hDESIGN & KONSTHANTVERK - Ihö
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Edizioni Corraini's Bruno Munari Workshop series focuses on a variety of creative tasks and skills that inspire the active involvement of adults and children alike--flower arranging, in this case. In A Flower with Love , the beloved Italian artist and designer lets us in on the secret: "...what really matters is the love with which a little daisy, a lavender sprig or some moss are chosen, that one there in particular and not that other one." With full-color images of Munari's whimsical and inventive creations in each spread, we learn that flower arranging is not an obscure art but a natural gesture requiring more care and imagination than money. Munari's examples are not to be copied slavishly; they represent examples to aid the reader in uncovering their own natural aesthetic sensibilities.