Konstfacks bibliotek

*00002114nam a22004097a 4500
*00128272
*007|||||||||||||||||||||||
*008110824s2009    maua   | b    001 0 eng||
*020  $a978-0-262-01325-3 (hardcover : alk. paper)
*020  $a978-0-262-01325-3
*020  $a0-262-01325-8 (hardcover : alk. paper)
*020  $a0-262-01325-8
*035  $a(Ko)32440
*084  $aInaa
*084  $aDbz Barthes, Roland
*24510$aPhotography degree zero :$breflections on Roland Barthes's Camera lucida  /$cedited by Geoffrey Batchen
*260  $aCambridge, Mass.  :$bMIT Press ,$ccop. 2009
*300  $ax, 287 p.  :$bill.  :$c24 cm
*504  $aIncludes bibliographical references and index.
*505  $tPalinode : an introduction to Photography degree zero / Geoffrey Batchen -- Re-reading Camera lucida / Victor Burgin -- The pleasure of the phototext / Jane Gallop -- What is a photograph? / Margaret Iversen -- Touching photographs : Roland Barthes's "mistaken" identification / Margaret Olin -- Buddha Barthes : what Barthes saw in photography (that he didn't in literature) / Jay Prosser -- Notes on love and photography / Eduardo Cadava and Paola Cortés-Rocca -- Barthes's Punctum / Michael Fried -- What do we want photography to be? : a response to Michael Fried / James Elkins -- Notes on the Punctum / Rosalind E. Krauss -- Camera lucida, circa 1980 / Gordon Hughes -- Black and blue : the shadows of Camera lucida / Carol Mavor -- Race and reproduction in Camera lucida / Shawn Michelle Smith -- Camera lucida: another little history of photography / Geoffrey Batchen.
*60014$aBarthes, Roland,$d1915-1980
*60014$aChambre claire.
*650 4$aFotokonst
*650 4$ateori, filosofi
*650 4$aFotografi
*650 4$ateori, filosofi
*650 4$aPhotography
*650 4$aPhilosophy.
*650 4$aPhotography, Artistic.
*650 4$aPhotographic criticism.
*650 4$aPhotography
*650 4$aPhilosophy
*7001 $aBatchen, Geoffrey$4edt
*8520 $hFOTOGRAFI -  In
^

Roland Barthes's 1980 book Camera Lucidais perhaps the most influential book ever published on photography. The terms studiumand punctum,coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero,the first anthology of writings on Camera Lucida,goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero(the title links Barthes's first book, Writing Degree Zero,to his last, Camera Lucida)includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucidaand its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero,and the focus on Camera Lucidain the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work. Contributors: Geoffrey Batchen, Victor Burgin, Eduardo Cadava, Paolo Cortes-Rocca, James Elkins, Michael Fried, Jane Gallop, Gordon Hughes, Margaret Iverson, Rosalind E. Krauss, Carol Mavor, Margaret Olin, Jay Prosser, Shawn Michelle Smith

• Acknowledgmentsp. ix
• Palinode: An Introduction to Photography Degree Zerop. 3
• Re-reading Camera Lucidap. 31
• The Pleasure of the Phototextp. 47
• What Is a Photograph?p. 57
• Touching Photographs: Roland Barthes's ôMistakenö Identificationp. 75
• Buddha Barthesp. 91
• What Barthes Saw in Photography (That He Didn't in Literature)
• Notes on Love and Photographyp. 105
• Barthes's Punctump. 141
• What Do We Want Photography to Be?p. 171
• A Response to Michael Fried
• Notes on the Punctump. 187
• Camera Lucida, circa 1980p. 193
• Black and Blue: The Shadows of Camera Lucidap. 211
• Race and Reproduction in Camera Lucidap. 243
• Camera Lucida: Another Little History of Photographyp. 259
• Sourcesp. 275
• Contributorsp. 277
• Indexp. 281