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Art cinema
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  • FILM - Im
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Title Statement
  • Art cinema
Publication, Distribution, etc. (Imprint)
  • Taschen, Hong Kong ; Köln : c2009.
  • 2009
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 191 p. : ill. (some col.) : 30 cm.
Bibliography, etc. Note
  • Includes filmography (p. 190) and bibliographical references (p. 191).
Formatted Contents Note
  • What is "art cinema"? -- Surrealist cinema -- Post-surrealism and the mythopoeic -- Abstraction and the lyrical film -- The city symphony, the essay, and the landscape film -- Temps mort, tableau, and duration -- Structuralism and the conceptual film -- Expanded cinema and the installation film -- Collage and the found-footage film -- Portraiture and autobiography -- Dada, parody, camp, and the remake.
Subject - Topical Term
ISBN
  • 3-8228-3594-3 (hdc.)
  • 3-8228-3594-3
  • 978-3-8228-3594-4 (hdc.)
  • 978-3-8228-3594-4
Waiting
  • 0 (0)
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*008110824s2009    cc a   |      000 0 eng d
*020  $a3-8228-3594-3 (hdc.)
*020  $a3-8228-3594-3
*020  $a978-3-8228-3594-4 (hdc.)
*020  $a978-3-8228-3594-4
*035  $a(Ko)32297
*084  $aImbah
*084  $aIbhe
*1001 $aYoung, Paul,$d1968-
*24510$aArt cinema  /$cPaul Young ; Paul Duncan (ed.)
*260  $aHong Kong ;$aKöln  :$bTaschen,$cc2009.
*300  $a191 p.  :$bill. (some col.)  :$c30 cm.
*504  $aIncludes filmography (p. 190) and bibliographical references (p. 191).
*505  $tWhat is "art cinema"? -- Surrealist cinema -- Post-surrealism and the mythopoeic -- Abstraction and the lyrical film -- The city symphony, the essay, and the landscape film -- Temps mort, tableau, and duration -- Structuralism and the conceptual film -- Expanded cinema and the installation film -- Collage and the found-footage film -- Portraiture and autobiography -- Dada, parody, camp, and the remake.
*650 4$aExperimental films.
*650 4$aExperimentfilm
*650 4$aExperimental films
*650 4$aVideokonst
*7001 $aDuncan, Paul ,$d1964-$4edt
*8520 $hFILM -  Im
^
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Movies should have a beginning, a middle and an end, but not necessarily in that order. --Jean-Luc Godard

Debate over cinema's credibility as an art form is as old as the medium itself, and largely defined in terms of formal, psychological, ideological, social, or auteurist theories. To explore how artists are also using the medium to investigate a wider range of aesthetic issues that are generally related to modern and contemporary art practices, this book is broken down into 10 subgenres, including abstraction, collage, appropriation, post-surrealism, structuralism, duration, parody, and expanded cinema.

The history of each subgenre is illustrated by over 300 films and filmmakers, from past masters such as Hans Richter, Man Ray , and Stan Brakhage to contemporary artists Stan Douglas, Pipilotti Rist , and Doug Aitken ; from art-house legends David Lynch, Jean-Luc Godard , and Luis Buñuel to underground icons and contemporary artists Kenneth Anger, Matthew Barney, Bruce Conner, Michael Snow, Owen Land, and Paul McCarthy .

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