Hylla KONST - Ibz Lohse, Richard Paul
Personnamn
Titel och upphov Richard Paul Lohse : Drucke : Dokumentation + Werkverzeichnis = Prints : documentation + catalogue raisonné
Varianttitel Richard Paul Lohse : prints : documentation + catalogue raisonné
Utgivning, distribution etc. Hatje Cantz , Ostfildern : cop. 2009
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 471 p. : ill. (chiefly col.) : 31 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Språk
Personnamn
Term
Institutionsnamn
ISBN 978-3-7757-2309-1 978-3-7757-2309-1 3-7757-2309-9 3-7757-2309-9
Antal i kö:
*00001494nam a22004215a 4500
*00128064
*007|||||||||||||||||||||||
*008110824s2009 gw a | bc 001 0 ger d
*020 $a978-3-7757-2309-1
*020 $a978-3-7757-2309-1
*020 $a3-7757-2309-9
*020 $a3-7757-2309-9
*035 $a(Ko)32220
*0410 $ager$aeng$hger
*084 $aIbz Lohse, Richard Paul
*1001 $aLohse, Richard Paul ,$c1902-1988
*24510$aRichard Paul Lohse :$bDrucke : Dokumentation + Werkverzeichnis = Prints : documentation + catalogue raisonné /$cherausgegeben von der Richard Paul Lohse-Stiftung ; bearbeitet von Johanna Lohse James und Felix Wiedler.
*24611$aRichard Paul Lohse :$bprints : documentation + catalogue raisonné
*260 $aOstfildern :$bHatje Cantz ,$ccop. 2009
*300 $a471 p. :$bill. (chiefly col.) :$c31 cm.
*504 $aIncludes bibliographical references and index.
*546 $aGerman and English.
*60014$aLohse, Richard Paul ,$d1902-1988
*60014$autställningskataloger
*60014$aCatalogues raisonnés.
*650 4$aKonstnärer
*650 4$a1900-talet
*650 4$aSchweiz
*7001 $aLohse James, Johanna.$4aut
*7001 $aWiedler, Felix.$4aut
*7101 $aRichard Paul Lohse-Stiftung.
*8520 $hKONST - Ibz Lohse, Richard Paul
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Richard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonné is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse's collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture inSwitzerland and Europe. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse's work both with and on color and the complex interrelations between prints, paintings, and drawings.