Konstfacks bibliotek

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^

This second edition of the landmark textbook Reading Images builds on its reputation as the first systematic and comprehensive account of the grammar of visual design. Drawing on an enormous range of examples from children's drawings to textbook illustrations, photo-journalism to fine art, as well as three-dimensional forms such as sculpture and toys, the authors examine the ways in which images communicate meaning.
Features of this fully updated second edition include:

new material on moving images and on colour a discussion of how images and their uses have changed through time websites and web-based images ideas on the future of visual communication.

Reading Images focuses on the structures or 'grammar' of visual designnbsp;- colour, perspective, framing and compositionnbsp;- provides the reader with an invaluable 'tool-kit' for reading images and makes it a must for anyone interested in communication, the media and the arts.

• Preface to the second editionp. vii
• Preface to the first editionp. ix
• Acknowledgementsp. xi
• Introduction: the grammar of visual designp. 1
• The semiotic landscape: language and visual communicationp. 16
• Narrative representations: designing social actionp. 45
• Conceptual representations: designing social constructsp. 79
• Representation and interaction: designing the position of the viewerp. 114
• Modality: designing models of realityp. 154
• The meaning of compositionp. 175
• Materiality and meaningp. 215
• The third dimensionp. 239
• Colourful thoughts (a postscript)p. 266
• Referencesp. 271
• Indexp. 287