Konstfacks bibliotek

Telling tales : fantasy and fear in contemporary design
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  • INREDNING - Ihhb
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  • Telling tales : fantasy and fear in contemporary design
Utgivning, distribution etc.
  • V&A Publishing distributed in North America by Harry N. Abrams , London ; New York ; 2009 : c2009
Utgivningsår
  • 2009
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 128 p. : col. ill : 25 cm.
Anmärkning: Allmän
  • Published to coincide with the exhibition: Telling tales : fantasy and fear in contemporary design, at the Victoria and Albert Museum, London, 14 July-18 October, 2009.
Term
Institutionsnamn
ISBN
  • 978-1-85177-560-6
  • 978-1-85177-560-6
  • 1-85177-560-9
  • 1-85177-560-9
Antal i kö:
  • 0 (0)
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*1001 $aWilliams, Gareth
*24510$aTelling tales :$bfantasy and fear in contemporary design  /$cGareth Williams
*260  $aLondon ;$aNew York ;$a2009 :$bV&A Publishing$bdistributed in North America by Harry N. Abrams ,$cc2009
*300  $a128 p.  :$bcol. ill  :$c25 cm.
*500  $aPublished to coincide with the exhibition: Telling tales : fantasy and fear in contemporary design, at the Victoria and Albert Museum, London, 14 July-18 October, 2009.
*650 4$aSagor i konsten
*650 4$aMöbelkonst
*650 4$aDesign
*650 4$aExhibitions.
*650 4$aHistory
*650 4$a20th century
*650 4$aForm (Aesthetics)
*650 4$aArt, Modern
*650 4$a20th century.
*650 4$aFurniture
*650 4$aFurniture design
*650 4$aTales in art
*697  $cMöbelkonst: 2000-
*697  $cKonsthantverk: 2000-
*7101 $aVictoria and Albert Museum.
*8520 $hINREDNING -  Ihhb
*950  $aKonsthantverk
*950  $aMöbelkonst
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*950  $aMöbelkonst
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^
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The links between contemporary design, history and the imagination form the background for this beautiful and unique exploration of Design Art. Addressing works by such designers as Jurgen Bey, Tord Boontje, Dunne and Raby and Studio Job, Gareth Williams explores how overtly functional objects, 'designed' objects, can be made to carry meanings and associations, or tell tales. As contemporary design practice, the art market and art itself become more integrated, reflecting the merging of art, craft and design, this exciting book offers a valuable and perceptive assessment of our ability to read design art objects with the critical tools traditionally associated with painting, sculpture and literary theory.

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