Hylla KONST - Ibz Palermo, Blinky
Personnamn
Titel och upphov Blinky Palermo : abstraction of an era
Utgivning, distribution etc. Yale University Press , New Haven : c2008.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xi, 297 p. : ill. (chiefly col.) : 27 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 220-284) and index.
Anmärkning: Innehåll Objects, 1964-974: painting away the German way of painting -- Cloth pictures, 1966-1972: modernism by the yard -- Wall paintings, 1968-1973: abstraction and decoration -- Metal pictures, 1973-1977: playing with American art -- Collaborations with Gerhard Richter, 1970-1971: elective affinities.
Personnamn
Term
ISBN 978-0-300-12238-1 (hbk. : alk. paper) 978-0-300-12238-1 0-300-12238-1 (hbk. : alk. paper) 0-300-12238-1
Antal i kö:
*00001374nam a2200337 a 4500
*00127268
*007|||||||||||||||||||||||
*008110824s2008 ctua | b 001 0 eng||
*020 $a978-0-300-12238-1 (hbk. : alk. paper)
*020 $a978-0-300-12238-1
*020 $a0-300-12238-1 (hbk. : alk. paper)
*020 $a0-300-12238-1
*035 $a(Ko)31395
*084 $aIbz Palermo, Blinky
*1001 $aMehring, Christine
*24510$aBlinky Palermo :$babstraction of an era /$cChristine Mehring.
*260 $aNew Haven :$bYale University Press ,$cc2008.
*300 $axi, 297 p. :$bill. (chiefly col.) :$c27 cm.
*504 $aIncludes bibliographical references (p. 220-284) and index.
*505 $tObjects, 1964-974: painting away the German way of painting -- Cloth pictures, 1966-1972: modernism by the yard -- Wall paintings, 1968-1973: abstraction and decoration -- Metal pictures, 1973-1977: playing with American art -- Collaborations with Gerhard Richter, 1970-1971: elective affinities.
*60014$aPalermo, Blinky, $d1943-1977
*60014$aHeisterkamp, Peter
*60014$aCriticism and interpretation.
*650 4$aKonstnärer
*650 4$a1900-talet
*650 4$aTyskland
*8520 $hKONST - Ibz Palermo, Blinky
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Twenty-one-year-old Peter Heisterkamp began signing his colorful and playful abstract artworks Palermo in 1964, when peers noted his resemblance to the American gangster Frank "Blinky" Palermo. This handsome book--a historical and critical study of Palermo's painting from the time he entered Joseph Beuys's now famous class at the Düsseldorf academy in 1964 to his death in 1977--explores his significance for postwar and abstract art.
Christine Mehring notes that over the course of Palermo's brief career he created five concurrent but distinct bodies of work: objects, cloth-pictures, wall-paintings, metal-pictures, and collaborative projects, primarily with his friend and colleague Gerhard Richter. Mehring shows how each of these groups demonstrates Palermo's efforts to lead German art out of its international isolation and to transform modernist painting into historically resonant abstraction by incorporating artifice, humor, period colors, and play.