Konstfacks bibliotek

Burning with desire : the conception of photography
Komihåglistan är tom
Vis
Hylla
  • FOTOGRAFI - In
Personnamn
Titel och upphov
  • Burning with desire : the conception of photography
Utgivning, distribution etc.
  • MIT, Cambridge, Mass. ; London : 1999
Utgivningsår
  • 1999
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 288 s. : ill. ; 23cm
Anmärkning: Allmän
  • Originally published: 1997
Term
ISBN
  • 0-262-52259-4 (pbk) ;
  • 978-0-262-52259-5
Antal i kö:
  • 0 (0)
*00001232nam a22003617a 4500
*00127136
*00520150428030857.7
*008990303r19991997xxua          000 0 eng c
*020  $a0-262-52259-4 (pbk) ;$c£13.95 : CIP entry (Mar.)
*020  $a978-0-262-52259-5
*035  $a(SE-LIBR)4740672
*035  $a(Ko)31255
*040  $aÖ
*08204$a770.9$221
*084  $aPna$2kssb/8
*084  $aInb.46$2kssb/8
*1001 $aBatchen, Geoffrey
*24510$aBurning with desire :$bthe conception of photography /$cGeoffrey Batchen
*260  $aCambridge, Mass. ;$aLondon :$bMIT,$c1999
*300  $a288 s. :$bill. ;$c23cm
*500  $aOriginally published: 1997
*650 7$aFotografi$xhistoria$2sao$0https://id.kb.se/term/sao/Fotografi--historia
*650 7$aFotografi$vteori, filosofi$2sao
*650 7$aPhotography$xHistory$2BNB
*650 7$aPhotography$xPhilosophy$2BNB
*650 0$aPhotography$xHistory
*841  $5Ko$ax  a$b0902044u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hFOTOGRAFI - In$lBAT
*950  $aFotografins historia$uFotografi$xhistoria
*950  $aNya sakligheten (fotografi)$wh$uFotografi$xhistoria
*950  $aPiktorialism$wh$uFotografi$xhistoria
*950  $aViktoriansk fotografi$wh$uFotografi$xhistoria
^
Det finns inga omdömen till denna titeln.
Klicka här för att vara den första som skriver ett omdöme.

In an 1828 letter to his partner, Nicephore Niepce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.

Sänd till
Ex.namnStatusFörfallodagTillhörPlatsHylla
 Tillgängligt Konstfacks bibliotek FOTOGRAFI - In
 Tillgängligt Konstfacks bibliotekMagasinIn