Hylla
Personnamn
Titel och upphov
Utgivning, distribution etc. Lars Müller Publishers , Baden, Switzerland ; 2007 : 2007
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 467 p. : ill. (chiefly col.) : 25 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Re-design: daily products of the 21st century -- HAPTIC: awakening the senses -- Senseware: medium that intrigues me -- White -- Muji: nothing, yet everything -- Viewing the world from the tip of Asia -- Exformation: a new information format -- What is design?
Anmärkning: Språk In English, translated from Japanese.
Personnamn
Term
ISBN 3-03-778105-X 978-3-03-778105-0
Antal i kö:
*00001520nam a22004217a 4500
*00126923
*00520141217132451.5
*007|||||||||||||||||||||||
*008110824s2007 sz a | b 000 0 eng c
*020 $a3-03-778105-X
*020 $a978-3-03-778105-0
*035 $a(Ko)31020
*040 $dYDXCP$dYDXCP$dOHX$dBAKER$dBWX$dSUC$dORU$dCUY$dIUL$dSTF$dAU@
*0410 $aeng$hjap
*084 $aIhb:d
*1001 $aHara, Ken'ya,$d1958-
*24510$aDesigning design /$cKenya Hara ; [translation Maggie Kinser Hohle, Yukiko Naito]
*260 $aBaden, Switzerland ;$a2007 :$bLars Müller Publishers ,$c2007
*300 $a467 p. :$bill. (chiefly col.) :$c25 cm.
*504 $aIncludes bibliographical references.
*505 $tRe-design: daily products of the 21st century -- HAPTIC: awakening the senses -- Senseware: medium that intrigues me -- White -- Muji: nothing, yet everything -- Viewing the world from the tip of Asia -- Exformation: a new information format -- What is design?
*546 $aIn English, translated from Japanese.
*60014$aHara, Ken'ya,$d1958-
*650 4$aDesign
*650 4$ateori, filosofi
*650 4$aDesign, Industrial
*650 4$aJapan.
*650 4$aTouch
*650 4$aDesign.
*650 4$aJapan
*650 4$aCommercial products
*697 $cIndustriell formgivning: teori, filosofi
*8520 $hDESIGN - Ih:d
^
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"Representing a new generation of designers in Japan, Kenya Hara (born 1958) pays tribute to his mentors, using long overlooked Japanese icons and images in much of his work. In Designing Design , he impresses upon the reader the importance of emptiness in both the visual and philosophical traditions of Japan, and its application to design, made visible by means of numerous examples from his own work: Hara for instance designed the opening and closing ceremony programs for the Nagano Winter Olympic Games 1998. In 2001, he enrolled as a board member for the Japanese label MUJI and has considerably moulded the identity of this successful corporation as communication and design advisor ever since. Kenya Hara, alongside Naoto Fukasawa one of the leading design personalities in Japan, has also called attention to himself with exhibitions such as Re-Design: The Daily Products of the 21st Century of 2000.