Konstfacks bibliotek

*00002354nam a22006257a 4500
*00126893
*007|||||||||||||||||||||||
*008110824s1997    xxua   | b    000 0 eng c
*020  $a0-9648083-1-5
*020  $a0-9648083-1-5
*020  $a978-0-9648083-1-7
*020  $a978-0-9648083-1-7
*035  $a(Ko)30989
*040  $dWAU$dWAU$dTJC$dOCL$dBAKER$dYDXCP
*084  $aIjb.43
*084  $aIjb.55
*084  $aIjaa
*24510$aPerceptible processes :$bminimalism and the baroque  /$cedited by Claudia Swan
*2461 $aMinimalism and the baroque
*260  $aNY ;$a1997 :$bEos Music ,$cc1997.
*300  $av, 85  :$bill. (some col.)  :$c19 cm.
*4900 $aEos  ;$v2
*500  $a"Published in conjunction with Perceptible processes : minimalism and the baroque, the EOS Ensemble, Jonathan Sheffer, conductor, 20-22 January 1997, Alice Tully Hall, Lincoln Center, New York"--Page before t.p.
*504  $aIncludes bibliographical references.
*505  $tForeword / Johathan Sheffer -- Minimalism/music / K. Robert Schwarz -- Misshapen pearls? : the aesthetics of baroque music / Elizabeth Bergman -- Similar emotions/dissimilar objects : the Pilkington paradigm and minimalist and baroque art / Paolo Berdini -- Music as a gradual process / Steve Reich -- Minimalism and the baroque / Ben Yarmolinsky -- Conversation with John Adams.
*561  $aAurel Schiller
*650 4$aBarockmusik
*650 4$aRepetitiv musik
*650 4$aMinimal music
*650 4$aHistory and criticism.
*650 4$aMusic
*650 4$aHistory and criticism.
*650 4$a17th century
*650 4$aMusic
*650 4$aHistory and criticism.
*650 4$a18th century
*650 4$aMinimal art.
*650 4$aMusic
*650 4$a17th century
*650 4$aMusic
*650 4$a18th century
*697  $cMusikhistoria: barocken (ca 1600-1750)
*697  $cMusikhistoria: 1900-talet
*697  $cMusikteori och musiklära: allmänt
*7001 $aSwan, Claudia.$4aut
*830 0$aEos (New York, N.Y.)  ;$v2.
*8520 $hMUSIK & LJUDKONST -  Ij
*950  $aMinimalistisk musik
*950  $aRepetitiv musik
*950  $aBarocken
*950  $aBarockmusik$xmusikhistoria
^

Published in conjunction with a 1997 New York concert program at Alice Tully Hall, Lincoln Center, this collection of essays and visual materials examines the affinities between Bach-era Baroque and such minimalists as John Adams, Steve Reich, and John Cage. John Adams does not exaggerate when he calls Mnimalism "the only really interesting, important stylistic development in the past thirty years". Think of the Bach Suites for Solo Cello, and their long series of arpeggios. Now think of Philip Glass, of ecstatic arpeggios and you may begin to hear a great unison sounding through the history of music.