Location KONST - Iib-qz New York: Museum of Modern Art
Main Entry - Corporate Name
Title Statement Making choices : 1929, 1939, 1948, 1955 : [exhibition, The Museum of Modern Art , New York, March 16-September 26, 2000]
Publication, Distribution, etc. (Imprint) Museum of Modern Art , New York ; 2000 : cop. 2000
SAB Classification Code
Physical Description
General Note " 'Making choices' is the second of three cycles of exhibitions organized by The Museum of Modern Art under the banner 'MoMA2000'"
ISBN 0-8109-6213-6 0-87070-029-4 (MoMA (hft. 0-87070-029-4 0-87070-030-8 (MoMA (inb. 0-87070-030-8 0-8109-6213-6 (Abrams (inb.
Waiting
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*020 $a0-87070-029-4 (MoMA (hft.
*020 $a0-87070-029-4
*020 $a0-87070-030-8 (MoMA (inb.
*020 $a0-87070-030-8
*020 $a0-8109-6213-6 (Abrams (inb.
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*040 $dN
*084 $aIb.5
*084 $aIib-qaz New York: Museum of Modern Art
*084 $aIit-qaz New York: Museum of Modern Art , 2000
*1101 $aMuseum of modern art (New York)
*24510$aMaking choices :$b1929, 1939, 1948, 1955 : [exhibition, The Museum of Modern Art , New York, March 16-September 26, 2000] /$c[catalogue by] Peter Galassi, Robert Storr, Anne Umland
*260 $aNew York ;$a2000 :$bMuseum of Modern Art ,$ccop. 2000
*300 $a348 s. :$bill.
*500 $a" 'Making choices' is the second of three cycles of exhibitions organized by The Museum of Modern Art under the banner 'MoMA2000'"
*561 $aAurel Schiller
*697 $cKonst Konsthistoria Modern Tid
*697 $cKonstmuseer Förenta Staterna
*697 $cKonsthistoria: 1905-
*697 $cKonstmuseer: Förenta staterna: särskilda museer och samlingar
*697 $cKonstutställningar: Förenta staterna: särskilda utställningar
*7001 $aGalassi, Peter$4oth
*8520 $hKONST - Iib-qz New York: Museum of Modern Art
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This splendidly illustrated of the arts panorama from 1920 to 1960 focuses on four landmark years -- 1929, 1939, 1948, and 1955. Published to accompany the second of three cycles of millennial exhibitions (MoMA2000) at The Museum of Modern Art, New York, Making Choices presents cross-sections of modern art in all its many aspects during this period, and shows how the concept of simultaneity was essential to the concept of early modernism.
The sheer diversity of work made in this period becomes clear as readers survey the different types of film, photography, design, painting, sculpture, drawing, and printmaking -- all from the Modern's collections -- reproduced here. But the richly variegated artistic texture revealed by such an across-the-board look also brings to light unexpected correspondences among distinct objects and images. Making Choices points toward modern art's heterogeneity even as it invites readers to search out and discover imaginative correlations.