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Titel och upphov Beyond piety : critical essays on the visual arts, 1986-1993
Utgivning, distribution etc. Cambridge Univ. Press , Cambridge ; 1995 : 1995
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 377 s., viii pl.-s. : ill.
Serietitel - biuppslagsform
Term
ISBN 0-521-46055-7 (inb.) 0-521-46055-7 0-521-46611-3 (hft.) 0-521-46611-3
Antal i kö:
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*1001 $aGilbert-Rolfe, Jeremy
*24510$aBeyond piety :$bcritical essays on the visual arts, 1986-1993 /$cJeremy Gilbert-Rolfe
*260 $aCambridge ;$a1995 :$bCambridge Univ. Press ,$c1995
*300 $a377 s., viii pl.-s. :$bill.
*440 $aCambridge studies in new art history and criticism$999-1856821-6
*561 $aAurel Schiller
*650 4$aArt criticism
*650 4$aKonstkritik
*697 $cKonst Teori Estetik
*697 $cKonst Konsthistoria Modern Tid
*697 $cKonstteori och konstestetik
*697 $cKonsthistoria: 1905-
*8520 $hKONST - Iaa
^
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Beyond Piety examines several fundamental questions regarding the work of art and such aesthetic issues as pleasure, beauty and completeness, especially as it functions within the contexts of discontinuity, deferral, displacement and multiplicity. This collection offers a reassessment of the relationship between the art work (or any object considered as something to be looked at) and argument. Engaging the work of art with the discourses of the body, history and textuality, the book offers, moreover, an approach to contemporary art through a novel application of French theory, which is used to reopen questions that have, in both conservative and avant-garde circles, generally been considered to be resolved.
Representation, Nonrepresentation, Pleasure Edouard Manet and the Pleasure Problematic The Impressionist revolution and Duchamp's myopia Seriousness and difficulty in criticism Vision's resistance to language Irreconcilable similarities: The Idea of Nonrepresentation Nonrepresentation in 1988: meaning-production beyond the scope of the Pious The Immediate Past Unmade in America Diebenkorn's ambivalence James Hayward: nonrepresentation which doesn't represent Irwin in the sixties: expression, Lines, Dots, Discs, Light Andy as auntie Theory In Soho From reading to unreading, Barthes' challenge and Derrida's truth Van Gogh, Schapiro, Heidegger, and Derrida Beyond absence Baudrillard's aestheticism and the art world's politics Peter Halley's writing: The Quest for the Veil Where do Pictures Come From? Sarah Charlesworth and the sexual development of the sign Praxis, Practice A forest of signs, The Price of Goodness Roni Horn Christian Haub and the extremities of the surface Painting movement Jab/panic Frank Gehry's Rebecca's Clothes, Masks, Bodies A thigh-length history of the fashion photograph: an abbreviated theory of the body The Beach Party and the Parties of Power (summer's content, winter's discontent) Hey Baby, Where'd You Get That Hat? Fashion's revenge Mask/masque Moist attraction: observations on an advertisement which appeared in Vogue (US), May 1992 Place and Placelessness Locus, locale, region, régime Sculpture as everything else: twenty years or so of the question of landscape House blown apart Intersections The end of whose century? Born to be mild