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Formless : a user's guide
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Location
  • KONST - Ib.5
Main Entry - Personal Name
Title Statement
  • Formless : a user's guide
Uniform Title
  • L'informe.
Publication, Distribution, etc. (Imprint)
  • Zone Books , New York ; 1997 : 1997
  • 1997
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 296 s. : ill.
General Note
  • Catalog of an exhibition held May 22-Aug. 26, 1996, at the Centre Georges Pompidou, Paris
Subject - Personal Name
Subject - Topical Term
Added Entry - Corporate Name
ISBN
  • 0-942299-43-4 (cloth)
  • 0-942299-43-4 :
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  • 0 (0)
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*020  $a0-942299-43-4 (cloth)
*020  $a0-942299-43-4  :$cCIP entry
*035  $a(Ko)30646
*040  $dG
*0410 $aeng$hfre
*084  $aIb.5
*084  $aIaa
*084  $aIit-jz Paris: Centre national d'art et de culture Georges Pompidou, 1996
*084  $aDbz Bataille, Georges
*1001 $aBois, Yve-Alain
*240 2$aL'informe.
*24510$aFormless :$ba user's guide  /$cYve-Alain Bois, Rosalind E. Krauss
*260  $aNew York ;$a1997 :$bZone Books ,$c1997
*300  $a296 s.  :$bill.
*500  $aCatalog of an exhibition held May 22-Aug. 26, 1996, at the Centre Georges Pompidou, Paris
*561  $aAurel Schiller
*60014$aBataille, Georges,$d1897-1962
*60014$aanalys och tolkning
*60014
*650 4$aKonst
*650 4$autställningar
*650 4$a1900-talet
*650 4$aArt, Modern
*650 4$aExhibitions
*650 4$a20th century
*697  $cKonst Konsthistoria Modern Tid
*697  $cKonst Teori Estetik
*697  $cKonsthistoria: 1905-
*697  $cKonstteori och konstestetik
*697  $cKonstutställningar: Frankrike: särskilda utställningar
*697  $cSärskilda filosofer
*7001 $aKrauss, Rosalind E.$4aut
*7101 $aCentre Pompidou$4oth
*8520 $hKONST -  Ib.5
*910  $aCentre Pompidou (Paris)$uCentre Pompidou
*910  $aCentre National d'Art et de Culture Georges Pompidou (Paris)$uCentre Pompidou
*910  $aCentre Beaubourg$uCentre Pompidou
*910  $aCentre Georges Pompidou$uCentre Pompidou
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Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the "formless" been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a "job." The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others.

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