Konstfacks bibliotek

*00002470nam a22006617a 4500
*00126505
*007|||||||||||||||||||||||
*008110824s2005    mnua   | bc   001 0deng c
*020  $a978-0-935640-79-3
*020  $a978-0-935640-81-6 (hft.)
*020  $a978-0-935640-81-6
*020  $a0-935640-79-7 (inb.)
*020  $a0-935640-79-7
*020  $a0-935640-81-9 (hft.)
*020  $a0-935640-81-9
*020  $a978-0-935640-79-3 (inb.)
*035  $a(Ko)30566
*040  $dDLC$dDLC$dYDX$dBAKER$dMDY$dDLC$dN
*084  $aIbz Smith, Kiki
*1001 $aSmith, Kiki,$d1954-
*24510$aKiki Smith :$ba gathering, 1980-2005  /$cSiri Engberg ; with contributions by Linda Nochlin, Lynne Tillman, and Marina Warner
*250  $a1. ed.
*260  $aMinneapolis ;$a2005 :$bWalker Art Center ,$c2005
*300  $a295 s.  :$bill. (some col.)  :$c28 cm
*500  $aCatalog of an exhibition to be held at the Walker Art Center, Minneapolis, Feb. 26-May 14 2006, at the San Francisco Museum of Modern Art, Nov. 19, 2005-Jan. 29, 2006, at the Contemporary Arts Museum, Houston, July 15-Sept. 24, 2006, and at the Whitney Museum of American Art, New York, Nov. 16, 2006-Feb. 11, 2007.
*504  $aPp. 273-286: bibliography
*505  $tIntroduction: Making things / Siri Engberg -- Unholy postures: Kiki Smith and the body / Linda Nochlin -- Conversation with Kiki Smith / Lynne Tillman -- Wolf-girl, soul-bird: the mortal art of Kiki Smith / Marina Warner -- Chronology / Yasmi Raymond Ventura with Max Andrews -- Thicket / Kiki Smith.
*60014$aSmith, Kiki,$d1954-
*60014$autställningskataloger
*60014$aExhibitions.
*650 4$aKonstnärer
*650 4$a1900-talet
*650 4$a2000- talet
*650 4$aUSA
*650 4$aKropp
*650 4$aKonstnärer
*650 4$a1900-talet
*650 4$a1945-
*650 4$aFörenta staterna
*650 4$aSkulptur
*650 4$a1980-talet
*650 4$a1990-talet
*650 4$asekelskiftet 2000
*650 4$aFörenta staterna
*697  $cSärskilda konstnärer
*7001 $aNochlin, Linda$4aut
*7101 $aWalker Art Center.
*7101 $aSan Francisco Museum of Modern Art.
*7101 $aContemporary Arts Museum.
*8520 $hKONST -  Ibz Smith, Kiki
^

Widely considered to be one of the most engaging and fascinating artists of our time, Kiki Smith has, over the past 25 years, developed into a major figure in the world of twenty-first-century art. Her subject matter is as wide-ranging as the materials her work has encompassed. In the 1980s, with her earliest figural sculptures in plaster, glass and wax, Smith developed an elaborate vocabulary around the forms and functions of the body and its metaphorical as well as physical relationship to society. By the early 1990s, she began to engage with themes of a more religious and mythological nature. Her re-imaginings of biblical women as inhabitants of physical bodies--rather than as abstract bearers of doctrine--led her to make series of sculptural works related to the figure of the Virgin Mary, Mary Magdalene, Lilith and others. The artist has more recently considered fairy tales and folk narratives as well as nurturing a growing menagerie of work concerned with animals and the natural world. Smith has now earned a considerable reputation as a virtuoso printmaker and draftsperson, and as a re-inventor of the startling sculptural possibilities present in materials ranging from paper and resin to bronze and porcelain. Organized by the Walker Art Center with the full collaboration of the artist, the exhibition Kiki Smith represents the artist's first full-scale monograph.

• Forewordp. 14
• Acknowledgmentsp. 16
• Introduction: Making Thingsp. 18
• Unholy Postures: Kiki Smith and the Bodyp. 30
• Conversation with Kiki Smithp. 38
• Wolf-girl, Soul-bird: The Mortal Art of Kiki Smithp. 42
• Chronologyp. 54
• Artist's Insert: Thicketp. 80
• Platesp. 97
• Plate Listp. 257
• Selected Exhibition Historyp. 263
• Selected Bibliographyp. 273
• Reproduction Creditsp. 287
• Indexp. 289
• Lenders to the Exhibitionp. 294