Konstfacks bibliotek

*00001981nam a22007217a 4500
*00126458
*007|||||||||||||||||||||||
*008110824s2008    xxu    |      000 0 eng||
*020  $a978-0-7618-4064-0
*020  $a978-0-7618-4064-0
*020  $a0-7618-4064-8 (paper : alk. paper)
*020  $a0-7618-4064-8
*035  $a(Ko)30518
*040  $dDLC$dDLC$dKo
*084  $aIb.6
*1001 $aCrawford, Holly
*24510$aArtistic bedfellows  /$cHolly Crawford
*260  $aLanham, MD ;$a2008 :$bUniversity Press of America ,$c2008
*300  $axiv s., 240 s.
*650 4$aKonstnärsgrupper
*650 4$aKonst
*650 4$a2000-talet
*650 4$aArtist colonies
*697  $cKonsthistoria: 2000-
*8520 $hKONST -  Ib.6
*910  $aCobra$uKonstnärsgrupper
*950  $aAmaravella (konstnärsgrupp)
*950  $aKonstnärsgrupper
*950  $aBarbizonskolan
*950  $aKonstnärsgrupper
*950  $aDe Stijl
*950  $aKonstnärsgrupper
*950  $aDer Blaue Reiter
*950  $aKonstnärsgrupper
*950  $aFalugrafikerna
*950  $aKonstnärsgrupper
*950  $aFluxus
*950  $aKonstnärsgrupper
*950  $aGrezkolonin
*950  $aKonstnärsgrupper
*950  $aGöteborgskoloristerna
*950  $aKonstnärsgrupper
*950  $aHalmstadsgruppen
*950  $aKonstnärsgrupper
*950  $aImaginisterna
*950  $aKonstnärsgrupper
*950  $aLysakerkretsen
*950  $aKonstnärsgrupper
*950  $aNasarenerna
*950  $aKonstnärsgrupper
*950  $aRackstadgruppen
*950  $aKonstnärsgrupper
*950  $aSkagenmålarna
*950  $aKonstnärsgrupper
*950  $aVarbergsskolan
*950  $aKonstnärsgrupper
*950  $aKonstnärskollektiv
*950  $aKonstnärsgrupper
*950  $aKonstnärskolonier
*950  $aKonstnärsgrupper
^

Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.

• Acknowledgmentsp. vii
• Introductionp. ix
• Histories, Theories and Conversations
• The Decoration of the Paris Pantheon by Paul Chenavard-A Particular Brotherhoodp. 3
• The Calling of Two Creatures: Depression-era Collaboration and a Theory of Camera and Penp. 14
• Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943p. 27
• Collaborative Practices in Environmental Artp. 60
• Concepts of Collaborative Art in the Divided Germany of the 1960sp. 64
• "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the German Democratic Republicp. 76
• The Second Selfp. 92
• "Encompassing Unboundedness": Desire and Collaborative Authorship in Carla Harryman and Lyn Hejinian's "The Wide Road"p. 98
• An Easy Alliance: A Dialogue on Methodologyp. 108
• Learning from Robert Venturi and Denise Scott Brownp. 116
• Languages of Innovationp. 127
• Working Togetherp. 139
• Ken Friedman: A Life in Fluxusp. 145
• Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disneyp. 187
• The Ivory Towers Were Always Connected: Interdisciplinary Dia(b)logues as Challenge and Chancep. 199
• Socially Engaged Art, Critics, and Discontents: An Interview with Claire Bishopp. 202
• "Detrimental to the Interests of the United States": Cuban Artists (Not) in Residencep. 210
• Suzanne Lacy: Oakland Projectsp. 218
• Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded Initiativep. 232
• Locating a Temporary Common Space: Cultural Exchanges in Weedpatchp. 237
• "Sometimes I'm Harvey Weinstein; Sometimes I'm Wes Craven. The Same Goes For My Brother." The Neistat Brothersp. 248
• Having Their Cake and Eating It Too: The Case of Christo's (and Jeanne-Claude's) Im(permanence) and Exclusivityp. 255
• The Wu-wei of the 21st Century Art of Collaborationp. 262
• What is Conversational Music or "Convers"?p. 266
• Shorter Comments, Thoughts and Projects
• Some Thoughts on Collaborationp. 277
• The Electron Buddy Systemp. 283
• I Always Appreciated Teamwork and Collaborationsp. 285
• The Dream of a Common Language: Thoughts on Collaboration and Protestp. 287
• Observations on Collective Cultural Actionp. 289
• New Social Art Schoolp. 292
• Complicityp. 294
• Transromantikp. 296
• Collaborationp. 299
• "This Way Up": Concept and Progress Chris Fite-Wassilakp. 301
• Online Collaboration in Genomic Artp. 302
• A Robot and Its Doublep. 305
• Art.es and Collaborative Projectsp. 308
• My Collaborative Artp. 312
• Collaboration between Tracey Snelling and Salvador Diaz, Chicago, March 2005p. 313
• "i-Woz" and Ginap. 315
• "It seems simple, but it is not."p. 316
• Indexp. 317
• Contributorsp. 331