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Personnamn
Titel och upphov
Utgivning, distribution etc. A & C Black University of Pennsylvania Press , London ; Philadelphia : c2007.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 96 p. : col. ill. : 24 cm.
Serietitel - ej biuppslagsform
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 9780812220117 9780812220117 0812220110 0812220110
Antal i kö:
*00000926nam a22003255a 4500
*00126404
*007|||||||||||||||||||||||
*008110824s2007 pauo | 001 0 eng d
*020 $a9780812220117
*020 $a9780812220117
*020 $a0812220110
*020 $a0812220110
*035 $a(Ko)30464
*084 $aIhfa
*1001 $aConnell, Jo.
*24510$aColor ing clay /$cJo Connell.
*260 $aLondon ;$aPhiladelphia :$bA & C Black$bUniversity of Pennsylvania Press ,$cc2007.
*300 $a96 p. :$bcol. ill. :$c24 cm.
*4900 $aCeramics handbook
*504 $aIncludes bibliographical references and index.
*650 4$aColor in the ceramic industries.
*650 4$aCeramics.
*650 4$aCeramics
*650 4$aHistory
*650 4$aKeramik
*8520 $hKERAMIK - Ihfa
^
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From sugar whites and pastel pinks to toasted browns and deep sea blues, the wide spectrum of colored clay offers an array of possibilities for creative ceramicists. By using the clay itself as the sole means of decoration, potters can achieve effects that range from subtle gradation to dramatic shifts, all integrated into the structure of their creation. Working with colored clay demands a special, disciplined approach, but the rewards are many. Beginning with a brief introduction to historic forms such as encaustic tile, sprigging, and art pottery, Coloring Clay explains the principal techniques for working with colored clay. This detailed, practical handbook takes artists though the clay and stain selection process to forming and firing, outlining proven procedures that produce optimum results. Readers will learn to use coiling and handbuilding for marbled effects, make Wedgwood-style applied reliefs, incorporate swirls and subtle hues into wheel-thrown pieces with mixes and overlays, or apply inlays to slipcast works for modern geometric patterns. Jo Connell also covers loaf and cane forms such as agate, nerikomi, and millefiori, as well as textural effects. With dozens of color photographs illustrating key steps and methods and beautiful presentations of great contemporary ceramic art, Coloring Clay is sure to educate and inspire.
Acknowledgements p. 6 Introduction: Colouring clay p. 7 The use of coloured clays in history p. 9 Encaustic tiles p. 9 Coloured clay bodies p. 11 Sprigging p. 13 Agateware p. 14 Naturally occurring clays p. 24 Staining clay - first steps p. 26 Changing the colour of clay p. 29 Oxides p. 29 Ceramic stains p. 33 Methods of preparing coloured clays and organising results p. 34 Blending colours and recycling p. 36 Effects of glazes and different types of firing on coloured clays p. 38 Techniques - ways of using coloured clays p. 44 The use of single-coloured clays for particular effects p. 44 Sprigging and applied relief decoration p. 45 Coil building with colours p. 48 Combining coloured clays on the wheel p. 51 Overlaying coloured clays p. 58 Agate, neriage, nerikomi, millefiori p. 62 Structural agateware p. 64 Agate slices as laminate p. 69 Inlaying into the surface p. 75 Slipcasting p. 76 Textural effects p. 81 Unusual clay bodies p. 85 Egyptian paste p. 85 Additions to clay p. 89 Health and Safety p. 93 Directory of suppliers p. 94 Further reading p. 95 Index p. 96