Hylla
Titel och upphov Sound unbound : sampling digital music and culture
Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; 2008 : c2008.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xi, 416 p. : ill. : 23 cm. + + 1 sound disc (digital ; 4 3/4 in.)
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll An introduction, or my (ambiguous) life with technology / Steve Reich -- In through the out door: sampling and the creative act / Paul D. Miller -- The future of language / Saul Williams -- The ecstasy of influence: a plagiarism mosaic / Jonathan Lethem -- Roots and wires remix: polyrhythmic tricks and the black electronic / Erik Davis -- The life and death of media / Bruce Sterling -- Un-imagining utopia / Dick Hebdige -- Freaking the machine: a discussion about Keith Obadike's sexmachines / Keith & Mendi Obadike -- Freeze frame: audio, aesthetics, sampling, and contemporary multimedia / Ken Jordan and Paul D. Miller -- A theater of ideas: an interview with Steve Reich and Beryl Korot on Three tales / David Allenby -- Quantum improvisation: the cybernetic presence / Pauline Oliveros -- The ghost outside the machine / Scanner aka Robin Rimbaud -- The musician as thief: digital culture and copyright law / Daphne Keller -- Integrated systems: mobile stealth unit / Beth Coleman and Howard Goldkrand -- An interview with Moby / Lucy Walker -- Zing! Went the strings / Joseph Lanza -- Renegade academia / Simon Reynolds -- The world of sound: a division of Raymond Scott Enterprises / Jeff E. Winner -- From hip-hip to flip-flop: black noise in the master-slave circuit / Ron Eglash -- South Africa's rhythms of resistance / Lee Hirsch -- The virtual breeding of sound / Manuel DeLanda -- Zoom: mining acceleration / Liminal Product: Frances Dyson and Douglas Kahn -- An interview with Alex Steinweiss / Carlo McCormick -- Stop, hey, what's that sound? / Ken Jordan -- Permuting connections: software for dancers / Scott deLahunta -- On improvisation, temporality, and embodied experience / Vijay Iyer -- Spin the painting: an interview with Nadine Robinson / Alondra Nelson -- Camera Lucida: three-dimensional sonochemical observatory / Evelina Domnitch and Dmitry Gelfand -- Fear of a Muslim planet: hip-hop's hidden history / Naeem Mohaiemen -- Three pieces / Chuck D -- Bells and their history / Brian Eno -- What one must do: comments and asides on musical philosophy / Daniel Bernard Roumain -- An interview with Pierre Boulez / Hans Ulrich Obrist and Philippe Parreno -- Adh'an: the sounds of an islamized orthodoxy / Ibrahim Quraishi -- Theatre of the spirits: Joseph Cornell and silence / Catherine Corman -- Where did the music go? / Jaron Lanier.
Term
ISBN 978-0-262-63363-5 (pbk. : alk. paper) 978-0-262-63363-5
Antal i kö:
*00004056nam a22005777a 4500
*00126338
*007|||||||||||||||||||||||
*008110824s2008 maua | 001 0 eng c
*020 $a978-0-262-63363-5 (pbk. : alk. paper)
*020 $a978-0-262-63363-5
*035 $a(Ko)30390
*040 $dDLC$dDLC$dDLC$dQ
*084 $aIjb.6
*24510$aSound unbound :$bsampling digital music and culture /$cedited by Paul D. Miller aka DJ Spooky that Subliminal Kid
*260 $aCambridge, Mass. ;$a2008 :$bMIT Press ,$cc2008.
*300 $axi, 416 p. :$bill. :$c23 cm. + +$e1 sound disc (digital ; 4 3/4 in.)
*504 $aIncludes bibliographical references and index.
*505 $tAn introduction, or my (ambiguous) life with technology / Steve Reich -- In through the out door: sampling and the creative act / Paul D. Miller -- The future of language / Saul Williams -- The ecstasy of influence: a plagiarism mosaic / Jonathan Lethem -- Roots and wires remix: polyrhythmic tricks and the black electronic / Erik Davis -- The life and death of media / Bruce Sterling -- Un-imagining utopia / Dick Hebdige -- Freaking the machine: a discussion about Keith Obadike's sexmachines / Keith & Mendi Obadike -- Freeze frame: audio, aesthetics, sampling, and contemporary multimedia / Ken Jordan and Paul D. Miller -- A theater of ideas: an interview with Steve Reich and Beryl Korot on Three tales / David Allenby -- Quantum improvisation: the cybernetic presence / Pauline Oliveros -- The ghost outside the machine / Scanner aka Robin Rimbaud -- The musician as thief: digital culture and copyright law / Daphne Keller -- Integrated systems: mobile stealth unit / Beth Coleman and Howard Goldkrand -- An interview with Moby / Lucy Walker -- Zing! Went the strings / Joseph Lanza -- Renegade academia / Simon Reynolds -- The world of sound: a division of Raymond Scott Enterprises / Jeff E. Winner -- From hip-hip to flip-flop: black noise in the master-slave circuit / Ron Eglash -- South Africa's rhythms of resistance / Lee Hirsch -- The virtual breeding of sound / Manuel DeLanda -- Zoom: mining acceleration / Liminal Product: Frances Dyson and Douglas Kahn -- An interview with Alex Steinweiss / Carlo McCormick -- Stop, hey, what's that sound? / Ken Jordan -- Permuting connections: software for dancers / Scott deLahunta -- On improvisation, temporality, and embodied experience / Vijay Iyer -- Spin the painting: an interview with Nadine Robinson / Alondra Nelson -- Camera Lucida: three-dimensional sonochemical observatory / Evelina Domnitch and Dmitry Gelfand -- Fear of a Muslim planet: hip-hop's hidden history / Naeem Mohaiemen -- Three pieces / Chuck D -- Bells and their history / Brian Eno -- What one must do: comments and asides on musical philosophy / Daniel Bernard Roumain -- An interview with Pierre Boulez / Hans Ulrich Obrist and Philippe Parreno -- Adh'an: the sounds of an islamized orthodoxy / Ibrahim Quraishi -- Theatre of the spirits: Joseph Cornell and silence / Catherine Corman -- Where did the music go? / Jaron Lanier.
*650 4$aMusik
*650 4$ahistoria
*650 4$a2000-talet
*650 4$aDigitala medier
*650 4$aPopulärkultur
*650 4$aMusic
*650 4$aHistory and criticism.
*650 4$a21st century
*650 4$aMusic and technology.
*650 4$aPopular culture
*650 4$a21st century.
*650 4$aPopular culture
*650 4$aDigital media
*697 $cMusikhistoria: 2000-
*7001 $aMiller, Paul D.$4edt
*8520 $hMUSIK & LJUDKONST - Ij
*950 $aKulturstudier
*950 $aPopulärkultur
*950 $aMassmedia
*950 $aPopulärkultur
*950 $aPopulärlitteratur
*950 $aPopulärkultur
*950 $aDigital video
*950 $aDigitala medier
*950 $aMasskultur
*950 $aPopulärkultur
*950 $aMassmarknadskultur
*950 $aPopulärkultur
*950 $aDigitala media
*950 $aDigitala medier
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
The role of sound and digital media in an information-based society: artists--from Steve Reich and Pierre Boulez to Chuck D and Moby--describe their work.
If Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Miller himself considers sampling and civilization; novelist Jonathan Lethem writes about appropriation and plagiarism; science fiction writer Bruce Sterling looks at dead media; Ron Eglash examines racial signifiers in electrical engineering; media activist Naeem Mohaiemen explores the influence of Islam on hip hop; rapper Chuck D contributes "Three Pieces"; musician Brian Eno explores the sound and history of bells; Hans Ulrich Obrist and Philippe Parreno interview composer-conductor Pierre Boulez; and much more. "Press 'play,'" Miller writes, "and this anthology says 'here goes.'"
The groundbreaking music that accompanies the book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of this content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music. To receive these free music files, readers may send an email to the address listed in the book.
Contributors
Foreword p. ix An Introduction, or My (Ambiguous) Life with Technology p. 1 In Through the Out Door p. 5 Sampling and the Creative Act aka Dj Spooky that Subliminal Kid The Future of Language p. 21 The Ecstasy of Influence p. 25 "Roots and Wires" Remix p. 53 Polyrhythmic Tricks and the Black Electronic The Life and Death of Media p. 73 Un-imagining Utopia p. 83 Freaking the Machine p. 91 A Discussion about Keith Obadike's Sexmachines Freeze Frame p. 97 Audio, Aesthetics, Sampling, and Contemporary Multimedia aka Dj Spooky that Subliminal Kid A Theater of Ideas p. 109 An Interview with Steve Reich and Beryl Korot on Three Tales Quantum Improvisation p. 119 The Cybernetic Presence Pauline Oliveros The Ghost Outside the Machine p. 131 Scanner aka Robin Rimbaud The Musician as Thief p. 135 Digital Culture and Copyright Law Integrated Systems p. 151 An Interview with Moby p. 155 Zing! Went the Strings p. 161 Renegade Academia p. 171 The World of Sound p. 181 A Division of Raymond Scott Enterprises From Hip-Hip to Flip-Flop p. 203 Black Noise in the Master-Slave Circuit South Africa's Rhythms of Resistance p. 215 The Virtual Breeding of Sound p. 219 Zoom p. 227 Mining AccelerationLiminal Product An Interview with Alex Steinweiss p. 233 Stop. Hey. What's That Sound? p. 245 Permuting Connections p. 265 On Improvisation, Temporality, and Embodied Experience p. 273 Spin the Painting p. 293 An Interview with Nadine Robinson Camera Lucida p. 299 Three-dimensional Sonochemical Observatory Fear of a Muslim Planet p. 313 Three Pieces p. 337 Bells and Their History p. 343 What One Must Do p. 353 Comments and Asides on Musical Philosophy An Interview with Pierre Boulez p. 361 Hans-Ulrich Obrist and Philippe Parreno Adh'an p. 375 The Sounds of an Islamized Orthodoxy Theater of the Spirits p. 377 Joseph Cornell and Silence Where Did the Music Go? p. 385 Index p. 395