Hylla KONST - Ibz Picasso, Pablo
Personnamn
Titel och upphov Myth and metamorphosis : Picasso's class ical prints of the 1930s
Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; 2000 : cop. 2000
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 263 s., [1] pl.-s. i färg : ill.
Personnamn
Term
ISBN 0-262-06213-5 (inb.) 0-262-06213-5
Antal i kö:
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*00126164
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*008110824s2000 xxu | 001 0 eng c
*020 $a0-262-06213-5 (inb.)
*020 $a0-262-06213-5
*035 $a(Ko)30174
*040 $dQ
*084 $aIbz Picasso, Pablo
*1001 $aFlorman, Lisa Carol
*24510$aMyth and metamorphosis :$bPicasso's class ical prints of the 1930s /$cLisa Florman
*260 $aCambridge, Mass. ;$a2000 :$bMIT Press ,$ccop. 2000
*300 $a263 s., [1] pl.-s. i färg :$bill.
*60014$aPicasso, Pablo,$d1881-1973
*60014$aanalys och tolkning
*60014
*650 4$aKlassicism (konst)
*650 4$aGrafisk konst
*650 4$a1930-talet
*650 4$aClass icism in art
*697 $cKonst Konsthistoria
*697 $cSärskilda konstnärer
*8520 $hKONST - Ibz Picasso, Pablo
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Previous studies of Picasso's involvement with the classical have tended to concentrate on the period immediately following the First World war, and to attribute that involvement to both the rise of political conservatism in France and the domesticating influence of the artist's marriage to Olga Koklova. Focusing instead on the later, classicizing prints of the 1930s, this book offers a radically different view of Picasso and the classical -a view that aligns his work much more closely with Surrealist, and specifically Bataillean, revisions of antiquity.