Konstfacks bibliotek

*00002065nam a22006737a 4500
*00126161
*007|||||||||||||||||||||||
*008110824s2006    gw a   | bc   001 0 ger||
*020  $a978-3-939633-04-4
*020  $a978-3-939633-04-4
*020  $a3-939633-04-6
*020  $a3-939633-04-6
*035  $a(Ko)30170
*040  $dDLC$dDLC$dBAKER$dYDXCP$dIXA$dBTCTA$dKo
*0410 $ager$aeng
*084  $aIhb
*24510$aOriginal Resopal :$bdie Ästhetik der Oberfläche = Original Resopal : the aesthetics of surface  /$cRomana Schneider, Ingeborg Flagge (Hg.) ; [Übersetzung ins Englische, Chris Charlesworth].
*24611$aOriginal Resopal :$bthe aesthetics of surface
*260  $aBerlin ;$a2006 :$bJovis ,$c2006
*300  $a200 p.  :$bill.  :$c31 cm.
*504  $aIncludes bibliographical references (p. 196) and index.
*546  $aGerman and English.
*650 4$aIndustriell formgivning
*650 4$aDesign
*650 4$aExhibitions.
*650 4$aHistory
*650 4$a20th century
*650 4$aGermany
*650 4$aDesign, Industrial
*650 4$aExhibitions.
*650 4$aHistory
*650 4$a20th century
*650 4$aGermany
*650 4$aModernism (Aesthetics)
*650 4$aExhibitions.
*650 4$aHistory
*650 4$a20th century
*650 4$aGermany
*650 4$aLaminated materials
*650 4$aExhibitions.
*650 4$aGermany
*650 4$aLaminated plastics in interior decoration
*650 4$aExhibitions.
*650 4$aGermany
*650 4$aDesign, Industrial
*697  $cIndustriell formgivning
*7001 $aSchneider, Romana$4edt
*7001 $aFlagge, Ingeborg$4edt
*8520 $hINDUSTRIDESIGN -  Ihb
*950  $aDesign
*950  $aIndustriell formgivning
*950  $aIndustridesign
*950  $aIndustriell formgivning
*950  $aFormgivning
*950  $aIndustriell formgivning$xindustriell
^

Since their invention in the early twentieth century, plastic laminates have left their mark in international design. Like Formica in the U.S., the brand name Resopal is practically synonymous with the entire field of laminates in Germany. This study of the material investigates the history of Resopal from its invention (it was trademarked in 1930) up through the latest innovations in plastic surface finishing. Even 75 years after its conception, Resopal continues to offer almost unlimited possibilities for savvy designers--an endless diversity of tactile-aesthetic surfaces usable in almost any context.