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Electronic shadows : the art of Tina Keane
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  • KONST - Ibz Keane, Tina
Main Entry - Personal Name
Title Statement
  • Electronic shadows : the art of Tina Keane
Publication, Distribution, etc. (Imprint)
  • Black Dog , London ; 2003 : 2003
  • 2003
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 144 p. : ill. (some col.) : 26 cm.
Subject - Personal Name
Subject - Topical Term
  • 1-901033-44-9 (pbk)
  • 1-901033-44-9
  • 978-1-901033-44-1 (pbk)
  • 978-1-901033-44-1
  • 0 (0)
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*008110824s2003    xxka   |      000 0 eng||
*020  $a1-901033-44-9 (pbk)
*020  $a1-901033-44-9
*020  $a978-1-901033-44-1 (pbk)
*020  $a978-1-901033-44-1
*035  $a(Ko)29962
*040  $dUKM$dUKM$dOCLCQ$dKo
*084  $aImbah
*084  $aIbz Keane, Tina
*1001 $aWollen, Peter,$d1938-
*24510$aElectronic shadows :$bthe art of Tina Keane  /$cauthors, Peter Wollen, Jean Fisher and Richard Dyer
*260  $aLondon ;$a2003 :$bBlack Dog ,$c2003
*263  $a200310
*300  $a144 p.  :$bill. (some col.)  :$c26 cm.
*60014$aKeane, Tina
*60014$aKeane, Tina
*60014$aCriticism and interpretation.
*650 4$aExperimentfilm
*650 4$aExperimental films.
*650 4$aExperimental films
*697  $cFilmhistoria: undergroundfilm och avantegardefilm
*7001 $aFisher, Jean,$d1942-2016$4aut
*7001 $aDyer, Richard$4aut
*7001 $aKeane, Tina$4aut
*8520 $hKONST -  Ibz Keane, Tina
*950  $aSurrealism (film)
*950  $aExperimentfilm
*950  $aFilm
*950  $aExperimentfilm
*950  $aAvantgardefilm
*950  $aExperimentfilm
*950  $aExperimentell film
*950  $aExperimentfilm
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Tina Keane first came to prominence in the late 1970s with her performance work and involvement in setting up London feminist film collective Circles. Since then she has become an internationally acclaimed artist working in a wide variety of media, including video, neon sculpture and installation. "Electronic Shadows is the first study of her work, bringing together her diverse career and oeuvre in the context of a wider history of the visual arts. During the 1980s and 90s Tina Keane developed her video work, incorporating a strong decorative aesthetic with personal narratives, building on her experimental film, video and performance from the 1970s and early 80s. "Electronic Shadows explores the diversity of Keane's practice, considering her relationship to and influence on contemporary video art, and situating her films within a broader context of artist's film from the late 70s onwards. With extensive illustrations this volume documents Keane's work and her wide influence on contemporary artists such as Tracey Emin, Tim Noble and Sue Webster.

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