Hylla KONST - Ibz Sandback, Fred
Personnamn
Titel och upphov Fred Sandback : drawings 1968-2000 : Annemarie Verna Gallery Zürich
Varianttitel Drawings 1968-2000 Drawings
Utgivning, distribution etc. Richter Verlag , Düsseldorf [Germany] ; 2005 : 2005.
Utgivningsår
SAB klassifikationskod
Upplaga
Fysisk beskrivning 31 p. : chiefly col. : 26 cm.
Anmärkning: Allmän "Published on the occasion of the exhibition Fred Sandback Drawings 1968-2000. April 23 - June 25, 2005"--T.p. verso.
Anmärkning: Språk Preface in both English and German.
Personnamn
Institutionsnamn
ISBN 3-937572-33-3 (pbk.) 3-937572-33-3 978-3-937572-33-8 (pbk.) 978-3-937572-33-8
Antal i kö:
*00001462nam a22004097a 4500
*00125960
*007|||||||||||||||||||||||
*008110824s2005 gw a | c 000 0deng d
*020 $a3-937572-33-3 (pbk.)
*020 $a3-937572-33-3
*020 $a978-3-937572-33-8 (pbk.)
*020 $a978-3-937572-33-8
*035 $a(Ko)29951
*040 $dZYU$dZYU$dOCLCQ$dBAKER$dYDXCP$dBTCTA$dKo
*0410 $aeng$ager
*084 $aIbz Sandback, Fred
*1001 $aSandback, Fred ,$d1943-2003
*24510$aFred Sandback :$bdrawings 1968-2000 : Annemarie Verna Gallery Zürich /$cFred Sandback ; photographs, Thomas Cugini and Lorenz Cugini ; translation, Julia Thorson
*2461 $aDrawings 1968-2000
*2461 $aDrawings
*250 $aTrade ed.
*260 $aDüsseldorf [Germany] ;$a2005 :$bRichter Verlag ,$c2005.
*300 $a31 p. :$bchiefly col. :$c26 cm.
*500 $a"Published on the occasion of the exhibition Fred Sandback Drawings 1968-2000. April 23 - June 25, 2005"--T.p. verso.
*546 $aPreface in both English and German.
*60014$aSandback, Fred ,$d1943-2003
*60014$autställningar
*697 $cSärskilda konstnärer
*7001 $aCugini, Thomas$4pht
*7001 $aCugini, Lorenz$4pht
*7101 $aAnnemarie Verna Galerie
*8520 $hKONST - Ibz Sandback, Fred
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Fred Sandback wanted from the beginning to make sculpture, but sculpture with neither volume nor mass, neither interior nor exterior. For more than half his life he succeeded in that impossible-sounding task, solving its riddle with lines in the form of steel wire and acrylic string. He described spaces, constructed perspectives, and demarcated borders, visible and invisible. The drawings on paper collected here, while closely allied to his exhibition work, were seldom mere drafts or working sketches; they are autonomous and self-confident signs.