Location KONST - Ibvz Paranormala fenomen
Main Entry - Personal Name
Title Statement Blur of the otherworldly : contemporary art , technology, and the paranormal
Varying Form of Title Contemporary art , technology, and the paranormal
Publication, Distribution, etc. (Imprint) Center for Art and Visual Culture , Baltimore, Md. ; 2006 : c2006
SAB Classification Code
Physical Description 189 p. : ill. (chiefly col.) : 23 cm.
Series Statement
General Note Sticker on back cover has added ISBN-13 of 971890761080. Includes checklist (p. 187-189)
Formatted Contents Note The shadow of doubt -- Adrift in the fluidium -- Insubstantial pageants -- Synthetic spectres -- Biographies.
Date/Time and Place of an Event Note Exhibition schedule: Center for Art & Visual Culture, University of Maryland, Baltimore County, Baltimore, MD, 21 October-11 December, 2005.
Summary, etc "The Blur of the Otherworldly presents twenty-eight contemporary art ists whose work employs modern communication technologies (photography, film, video, radio, Internet, computers) to explore culturally inbred questions/superstitions concerning parallel worlds to our own...The art ists of Blur of the Otherworldly explore the vagaries of the shifting line between what we know from science and technology and what scuttles around the darker edges of the imagination"--Back cover.
Additional Physical Form available Note Issued also as number 9 in Issues in Cultural Theory (listed as ISSN 15211223, ISBN 1890761087)
Subject - Corporate Name
Subject - Topical Term
Added Entry - Corporate Name
ISBN 1-890761-06-0 (pbk.) 1-890761-06-0 978-1-890761-06-6 (pbk.) 978-1-890761-06-6
Waiting
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*008110824s2006 xxua | c 000 0 eng c
*020 $a1-890761-06-0 (pbk.)
*020 $a1-890761-06-0
*020 $a978-1-890761-06-6 (pbk.)
*020 $a978-1-890761-06-6
*035 $a(Ko)29711
*040 $dKCK$dKCK$dMBB$dIUL
*084 $aIb:do
*084 $aDop
*084 $aIbvz Paranormala fenomen
*1001 $aDurant, Mark Alice
*24510$aBlur of the otherworldly :$bcontemporary art , technology, and the paranormal /$cMark Alice Durant and Jane D. Marsching ; contributions by Lynne Tillman and Marina Warner
*2461 $aContemporary art , technology, and the paranormal
*260 $aBaltimore, Md. ;$a2006 :$bCenter for Art and Visual Culture ,$cc2006
*300 $a189 p. :$bill. (chiefly col.) :$c23 cm.
*4900 $aIssues in cultural theory book series ;$v9
*500 $aSticker on back cover has added ISBN-13 of 971890761080.
*500 $aIncludes checklist (p. 187-189)
*505 $tThe shadow of doubt -- Adrift in the fluidium -- Insubstantial pageants -- Synthetic spectres -- Biographies.
*518 $aExhibition schedule: Center for Art & Visual Culture, University of Maryland, Baltimore County, Baltimore, MD, 21 October-11 December, 2005.
*520 $a"The Blur of the Otherworldly presents twenty-eight contemporary art ists whose work employs modern communication technologies (photography, film, video, radio, Internet, computers) to explore culturally inbred questions/superstitions concerning parallel worlds to our own...The art ists of Blur of the Otherworldly explore the vagaries of the shifting line between what we know from science and technology and what scuttles around the darker edges of the imagination"--Back cover.
*530 $aIssued also as number 9 in Issues in Cultural Theory (listed as ISSN 15211223, ISBN 1890761087)
*61024$aArt
*61024$aExhibitions
*61024$aMaryland
*61024$aBaltimore.
*650 4$aDet övernaturliga i konsten
*650 4$aKonst och paranormala fenomen
*650 4$aKonst och teknik
*650 4$autställningskataloger
*650 4$aSupernatural in art
*650 4$aExhibitions.
*650 4$aTechnology in art
*650 4$aExhibitions.
*650 4$aArt and technology
*650 4$aExhibitions.
*650 4$aArt
*650 4$aExhibitions.
*650 4$aExtraterrestrial influences
*650 4$aComputer art
*650 4$aExhibitions.
*697 $cKonsthistoria
*697 $cParapsykologi
*697 $cSärskilda motiv i konsten
*7001 $aMarsching, Jane D.$4aut
*7001 $aTillman, Lynne$4aut
*7001 $aWarner, Marina.$4aut
*7101 $aUniversity of Maryland, Baltimore County.
*7101 $aCenter for Art and Visual Culture.
*7101 $aUniversity of Maryland, Baltimore County.
*8520 $hKONST - Ibvz Paranormala fenomen
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Over the past 20 years, the cultural and scholarly discourse around race has exploded to include the study of whiteness and white privilege, representing a radical shift in the way we think and talk about race in the United States. Since the advent of the modern civil rights movement, people of color have usually been responsible for leading the debate and discussion about race and racism, forced to evaluate the status of their race in relation to the prejudice they experience every day--while most white people, even the most liberal, are usually oblivious to the psychological and political weight of their own color. The study of whiteness asks all Americans--and especially white people--to take stock of the political, psychological, economic and cultural implication of white skin, white entitlement and white privilege. White: Whiteness and Race in Contemporary Art , the first exhibition and book devoted to the subject, gives voice to 11 artists who explicitly address the issue of whiteness: Max Becher and Andrea Robbin, Nayland Blake, Nancy Burson, Wendy Ewald and Mike Kelley, William Kentridge, Barbara Kruger, Nikki S. Lee, Cindy Sherman and Gary Simmons. David R. Roediger, Professor of History and American Studies at the University of Minnesota, contributes an essay on whiteness in the culture at large, and Patricia J. Williams, Professor of Law at Columbia University, writes about the social and legal implications of whiteness. Curator Maurice Berger, author of White Lies: Race and the Myths of Whiteness , provides an introductory text on whiteness and art as well as individual artist essays.
Foreword p. 8 White Complexity p. 53 White Complicity p. 55 White Skin p. 57 White Privilege p. 59 White Normal p. 63 White Type p. 65 White Trash p. 67 White Girl's Alphabet p. 70 How Old and New Whitenesses Keep Showing Up, But Not by Themselves p. 90 Checklist of the Exhibition p. 104 Acknowledgments p. 12 Bibliography p. 108 Mission Statement p. 114 Preface p. 16 Invisible Man: An Introduction to Whiteness p. 22 Plates p. 33 White: A Catalog of Works p. 44 White Exotic p. 47 White Impurity p. 49 White Purity p. 51